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SeriesLab

Second Edition

The Red Sea Labs, in partnership with Film Independent, opened applications for the 2nd edition of the SeriesLab.

The SeriesLab supported 14 emerging content creators from the Arab world, Africa, and Asia through a three-part, hybrid virtual/in-person residency program. The program provided filmmakers with the skills, knowledge, networking, and mentorship needed to complete and pitch their television series pilot.

In two-person teams, writers participated in workshops and masterclasses, received one-on-one guidance from renowned U.S. mentors and episodic creators, and workshopped their projects in a supportive group setting. The program also included an exclusive opportunity to travel to Los Angeles for two weeks, where participants took part in a workshop and attended the Film Independent Forum, a special weekend event designed to inspire and empower content creators with the tools and connections needed to get their projects made and seen.

The program took place in August 2024 and concluded in December 2024, during the 4th edition of The Red Sea International Film Festival. The selected projects had the opportunity to pitch their projects at the Red Sea Souk to an audience of international buyers, studios, networks, and producers.

At the end of the program, each participant received a membership to Film Independent, providing educational and screening benefits for one year.

SeriesLab Projects

B’itha

Screenwriter: Noorah Al-Eidi
Producer: Sheheryar Ahsan
Saudi Arabia

Three Saudi students struggle to navigate college life, co-ed classes and halal romances after coming to the U.S. on scholarships, post 9/11.

Cold Case-One (Pullukandam Murder Case)

Scriptwriter: Nithin Lukose
Co-writer: Hari Krishnan
India

Two ‘incompetent’ police officers, Abubaker(52) and Naveen(32) come across a rare cold case when Diana John Devassi(33) an NRI, claims that her father was killed by his own siblings for wealth. The two policemen struggle to figure out the real intentions of Diana and prove themselves as competent policemen by finding the truth in the thirty year old murder case.

Generation A

Screenwriter: Mona Ombogo
Producer: Louise Kamwangi
Kenya

To escape their dysfunctional destinies, a group of troubled teens reluctantly enroll in a supernatural experiment aimed at creating an alternate East Africa where the West never showed up.

Pazuzu

Screenwriter/Producer: Ali Kareem
Co-writer: Dania Altayeb
Iraq, Saudi Arabia

After a failed lawsuit against major European museums over stolen Iraqi artifacts, archaeologist Hassan returns to Iraq. He settles on his parents’ farm, where he confronts unresolved traumas and fragmented memories. His return pulls him into Iraq’s artifact-smuggling underworld, putting both his life and the country’s heritage at risk.

Saria Othman Needs No Man

Screenwriter: Estephan Khattar
Producer: Hiba Louis
Lebanon

On her 47th birthday, after struggling to sustain a family, succeed in her career, and fulfill her love, Saria Othman decides to give herself a second chance. She secretly enrolls in acting school to pursue her long-held dream of becoming a successful actress.

Shani Bazaar

Scriptwriter: Karan Kabir
Co-writer: Nitin Koul
India

In the northern part of India, a 32-year-old upper-caste man named Subodh desperately fakes his caste to become a manual scavenger for the survival of his family, uncovering a criminal underbelly in the mythical village of Harnandi, Ghaziabad. Subodh sparks a revolution against the deep-rooted prejudices, becoming an unlikely David against a ruthless Goliath in a battle that shakes the foundations of the caste system.

Switch

Screenwriter/Producer: Nathan Magoola
Co-writer: Lucky Lola Atwine
Uganda

A man’s quest for a better life in the Middle East results in a lifetime prison sentence, followed by an unexpected pardon. After 15 years, Shafic (50s) returns to Kampala, only to find that his family moved on. Struggling to reclaim his life, he is drawn into the criminal underworld, seeking redemption again.

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.