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Frequently asked
questions

How do I apply?

Complete the online application form available on the website
The applications will be available as follows:

  • January 6th to January 27th (CYCLE 01 - POST-PRODUCTION FUND)
  • March 6th to March 21st (CYCLE 02 - PRODUCTION FUND)
  • May 6th to May 21st (CYCLE 03 - DEVELOPMENT FUND)
  • July 6th to July 21st (CYCLE 04 - POST-PRODUCTION FUND)
What are the eligibility criteria for a director?
  • For Saudi directors, the director must be of Saudi nationality or origin.
  • For Arab directors, the director must be of Arab nationality or origin.
  • For African directors, the director must strictly be of African nationality.
  • For Asian directors, the director must strictly be of Asian nationality.
Can I apply for more than one project?

Yes.

What is a logline?

A logline is a brief summary of a film that states the central conflict of the story, providing both a synopsis of the plot and an emotional "hook" to stimulate interest. It is usually one sentence, approximately 30 words.

What is a synopsis?

A synopsis is a brief description of the key elements of the story without dialogue. The Red Sea Fund requires a synopsis of a maximum of 350 words with spaces.

What is a director’s vision?

The director’s vision provides information about the creative approach of the director and should offer a strong sense of how the film will look.

What is a director’s motivation (video)?

Director’s motivation is a one-minute video of the director explaining his/her vision of the film itself.

What do you mean by biography?

A biography is presented as written text describing the educational background and work experience of the director/producer.

What is the difference between a financial plan and a budget?

● Financial Plan: The document in which you specify how much money you need. It should include the financiers who have already committed; those who have been approached whose response is still pending; and those who have been identified but are yet to be formally approached. You are basically showing where the money comes from and that your sources of income are reliable.
● Budget: The sheet that helps you map out your key expenses and plan for the weeks and months to come. A budget includes all costs relating to the development, production and post-production of a film, for instance, the costs of acquiring the script; payments to talent; and production costs.
● Both documents should be submitted.

What is the chain of titles?

Chain of title is essentially all those documents needed to show that the filmmaker owns his/her film and has secured all the rights necessary to distribute it.

What is a rough cut (post-production)?

A rough cut is the first cut that can be presented to the film editor. In other words, it's like a filmmaker's version of the first working draft of a written document. The document isn't yet ready to be presented, but it is an in-progress version of a product that needs refining. If the language of the film is neither Arabic nor English, English subtitles are required.

Are there any caps/limits to the amount of funding?

The grants are awarded on a case-by-case basis decided by our selection committee.

  • For development projects: Up to USD 25,000
  • Production projects: Up to USD 500,000
  • Post-production projects: Up to USD 100,000
Recoupment? (Only applicable for production phase)

The Red Sea Fund will decide, on a case-by-case basis and given the amount granted, whether or not it is recoupable. The recoupment plan is eligible only after the film has generated revenue after deducting project budget for a period of maximum 5 years and/or capped to maximum support amount. Recoupment will be a percentage of the total revenue compared to the support amount and the total project amount.

Can I apply the same project in different fund stages?

The same project can be submitted to all 3 fund stages. However, a selected project in the development fund can only be submitted to either production or post-production.

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.