NSALA

Other movies
ROSE OF NEVADA
Director: Mark Jenkin
Rose Of Nevada is eerie, poignant and the tides are treacherous in this mysterious, daring work. Having brought Enys Men to Red Sea Film Festival in 2022, Mark Jenkin returns with his unique vision in this trenchant time-travelling tale of eternal loss. Two of the UK’s most exciting young actors, George MacKay and Callum Turner, headline this story initially set in a forgotten Cornish fishing village. Nick (MacKay) is trying to fix the roof over his head when he signs up as crew on a mysterious trawler called Rose of Nevada. Liam (Turner) is the stranger who drifts into town and ends up on board. All however, is not as it seems.
NORMAL
Director: Ben Wheatley
Normal's night of reckoning and west-meets-east thrills and blood-spills is dark, absurdly funny and drenched in its own B movie with A movie viewing sensibility. Back in trenchant Free Fire form, Ben Wheatley directs Bob Odenkirk (Better Call Saul, the Nobody movies) from a script by Odenkirk and John Wick creator Derek Kolstad. It's mid-winter, and Odenkirk is Ulysses, a laid-back, somewhat oblivious sheriff on a temporary job in a tiny Minnesota town where all is certainly not what it seems — as heavily signalled by an ultra-violent prologue featuring a yakuza standoff in Osaka. Normal is the name of this burg of 1,890 cheerful inhabitants (including cameos from Henry Winkler and Lena Headey), but the film is decidedly anything but.
BLACK RABBIT, WHITE RABBIT
Director: Shahram Mokri
Iranian filmmaker Shahram Mokri develops multiple plot strands this engrossing, multilayered, playful and skilled drama centering around Sarah, the victim of a suspicious car crash who is swaddled in bandages and at odds with her controlling husband. What turns out to be a film-within-a-film-within-a-film zooms out to include the remake of a classic Iranian movie in Tajikistan, an armourer worried about a prop gun and an actress looking for her big break. Of course their fates collide through multiple fluid, bravura circular takes, often covering the same time frame, bold touches of magical realism — or are they sight gags? — and an eternal mystery. This spinning story is Tajikistan’s Oscar entry for this year.