THE WORLD OF LOVE

Other movies
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?
KOKUHO
Director: Lee Sang-Il
A box-office hit in Japan, Kokuho is Lee Sang-il’s long-gestating passion project, born from a 15-year fascination with kabuki and the tradition of onnagata: male actors who play female roles on stage. Adapted from a novel by Shūichi Yoshida, the story begins in 1964 Nagasaki and unfolds over five decades, tracing the bond between Kikuo — taken in by a kabuki master after his father’s death — and the master’s son, Shunsuke. Part brotherhood, part rivalry, their connection fuels a sweeping saga of ambition, sacrifice and devotion within a revered theatrical lineage. Starring Ryo Yoshizawa and Ryusei Yokohama, Kokuho is visually sumptuous and emotionally resonant — a powerful meditation on legacy, identity and the high cost of artistic greatness.
SINK
Director: Zain Duraie
Behind the facade of a perfect life, Nadia, a 40-year-old wife and mother of three, struggles with her marriage and a lost sense of self, leaving her emotionally detached. Her one true connection is with her eldest son, Basil, a brilliant but unsociable high school senior. When a violent outburst at school leads to his suspension, Nadia’s world crumbles. On the verge of burnout, she attempts to care for him, but as she battles her own crisis, she's pulled into his undiagnosed mental illness. As his condition spirals, Nadia's struggle to prove that her son is normal intensifies. The film is an intimate look into a powerful maternal bond and a portrait of unconditional love in the face of chaos.