THE WORLD OF LOVE

Other movies
THE STORIES
Director: Abu Bakr Shawky
In the summer of 1967 in Egypt, aspiring pianist Ahmed begins a long-distance friendship with Liz, his Austrian pen-pal. Their bond, met with suspicion by relatives, helps drive Ahmed’s pursuit of his dream: to perform in a public concert. As they navigate life’s joys and heartaches, their connection and shared ambition endure through the war, family drama and societal opposition they face in Egypt during the 1980s. The film, like Yomeddine, is infused with the director's distinct personality, showing his talent for creating characters and dialogue that are touching and memorable. This is a vivid and authentic tribute to Egypt, capturing a love story filled with the innocence and ambition of a generation during a key period in Arab history.
KOKUHO
Director: Lee Sang-Il
A box-office hit in Japan, Kokuho is Lee Sang-il’s long-gestating passion project, born from a 15-year fascination with kabuki and the tradition of onnagata: male actors who play female roles on stage. Adapted from a novel by Shūichi Yoshida, the story begins in 1964 Nagasaki and unfolds over five decades, tracing the bond between Kikuo — taken in by a kabuki master after his father’s death — and the master’s son, Shunsuke. Part brotherhood, part rivalry, their connection fuels a sweeping saga of ambition, sacrifice and devotion within a revered theatrical lineage. Starring Ryo Yoshizawa and Ryusei Yokohama, Kokuho is visually sumptuous and emotionally resonant — a powerful meditation on legacy, identity and the high cost of artistic greatness.
THE VOICE OF HIND RAJAB
Director: Kaouther Ben Hania
The Voice Of Hind Rajab is an emotional and innovative hybrid of documentary and drama that recounts the heart-wrenching story of a six-year-old Palestinian girl killed during the Israel-Gaza war. In January 2024, Hind was trapped for hours in a car after it came under fire, squeezed between the bodies of her aunt, uncle and cousins, leaving her the sole survivor. For hours she remained in contact with Red Crescent volunteers, who navigated a maze of military and governmental approvals in an attempt to reach her. The film transcends traditional cinema, becoming a powerful act of resistance and a vital work of memory. Filmmaker Kaouther Ben Hania delivers a haunting testament to the tragic reality of war, resonating with audiences long after the credits roll.