COUTURE
Genre
Drama
Running time
106 minutes
Year
2025
Language
English and French
Subtitle
English and Arabic
Country
France and United States of America (USA)
Director
Alice Winocour
Bio
Producer
Charles Gillibert, Angelina Jolie, Zhang Xin, William Horberg
Cast
Angelina Jolie, Hunter David, Mona Tougaard, Yuliia Ratner, Aurore Clément, Grégoire Colin, Garance Marillier, Vincent Lindon, Ella Rumpf, Louis Garrel, Anyier Anei, Jean-Stéphane Bron
Scriptwriter
Alice Winocour
A delicate garment, feature film Couture is about women brought together in one place, at different stages of life, their stories spinning off one another. Angelina Jolie gives a raw and honest performance in a leading role that is both personal but also universal. Filmmaker Alice Winocour sets the drama during Paris fashion week, where South Sudanese model Ada (Anyier Anei) is alone in the big city. Seamstress Christine (Garance Marillier) is working on Ada's show stopper dress. Angele (Ella Rumpf) is a make-up artist, while Maxine (Jolie) is an American film director there to shoot the fashion house's finale. Soon however, she'll receive news that she has breast cancer. Louis Garrel and Vincent Lindon co-star in this drama of considerable poignancy and potency.
"This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
Other movies
GIRL
Director: Shu Qi
Superstar Shu Qi, icon of Asian cinema and muse of Hou Hsiao-hsien, makes her directorial debut with this self-penned, deeply personal coming-of-age drama. In a cramped home ruled by abuse, young teenager Lin Xiaoli keeps her head down, caring for her little sister while her father’s drunken rages cascade into her mother’s cruelty. Everything shifts when she befriends Li Lili, a rebellious classmate who skips class, smokes and urges Xiaoli to challenge the family’s toxic status quo. As escape glimmers, Shu Qi films with poised restraint, observing at a remove and tuning the viewer to intimate, everyday textures with a quietly harrowing strength. Tender yet unsentimental, Girl finds fragile beauty amid hurt and announces a formidable new directorial voice.
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.
KOKUHO
Director: Lee Sang-Il
A box-office hit in Japan, Kokuho is Lee Sang-il’s long-gestating passion project, born from a 15-year fascination with kabuki and the tradition of onnagata: male actors who play female roles on stage. Adapted from a novel by Shūichi Yoshida, the story begins in 1964 Nagasaki and unfolds over five decades, tracing the bond between Kikuo — taken in by a kabuki master after his father’s death — and the master’s son, Shunsuke. Part brotherhood, part rivalry, their connection fuels a sweeping saga of ambition, sacrifice and devotion within a revered theatrical lineage. Starring Ryo Yoshizawa and Ryusei Yokohama, Kokuho is visually sumptuous and emotionally resonant — a powerful meditation on legacy, identity and the high cost of artistic greatness.