PALESTINE 36

Other movies
NIGHTTIME SOUNDS
Director: Zhang Zhongchen
Nighttime Sounds blends social realism with surrealist poetry to explore the emotional landscapes of women in rural China: their buried desires and muted cries for freedom, love and recognition. Eight-year-old Qing lives with her mother, while her father works in a distant city. One morning, Qing encounters a ghostly child searching for their missing mother. Through dreamlike imagery and a haunting soundscape, director Zhang Zhongchen weaves a powerful tale of memory, longing and the silence passed from one generation of women to the next.
COUTURE
Director: Alice Winocour
A delicate garment, feature film Couture is about women brought together in one place, at different stages of life, their stories spinning off one another. Angelina Jolie gives a raw and honest performance in a leading role that is both personal but also universal. Filmmaker Alice Winocour sets the drama during Paris fashion week, where South Sudanese model Ada (Anyier Anei) is alone in the big city. Seamstress Christine (Garance Marillier) is working on Ada's show stopper dress. Angele (Ella Rumpf) is a make-up artist, while Maxine (Jolie) is an American film director there to shoot the fashion house's finale. Soon however, she'll receive news that she has breast cancer. Louis Garrel and Vincent Lindon co-star in this drama of considerable poignancy and potency. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?