LIVING
Other movies
LAIL NAHAR
Director: Abdulaziz Almuzaini
Nahar, a beloved and highly popular opera singer, finds himself at the center of a "cancel" storm after a viral video accuses him of racism. In a surprising move, he announces his upcoming marriage to a black woman live on air, putting him in a race against time to find the right woman. Eventually, he marries a wedding singer, and their relationship evolves from one of mutual interests into an unexpected emotional and musical journey filled with surprising twists.
SMILE THE PHOTO COMES OUT BETTER
Director: Sherif Arafa
Photographer Sayed Gharib worries when his daughter Tahani moves to Cairo to study medicine, concerns that prove justified when she struggles to fit in with her privileged fellow students. His solution is to follow her to the city, moving close to the school where she studies. While she is falling in love with the son of a famous businessman, Sayed continues to take pictures. He has strong ideas about photographs of people, which reflect his own sense of dignity in poverty but is also his strongest professional principle. They must look happy; no matter how much sadness anyone carries with them, photographs must express joy. Mona Zaki plays in this film with other important Arab actors, including Ahmed Zaki and Leila Eloui.
MY FRIEND AN DELIE
Director: Zijian Dong
This remarkable adaptation of Shuang Xuetao’s novel is the debut film from actor-turned-director Dong Zijian that flashes back and forth in time to tell a touching story of friendship and family strife. Following his father’s death, Limo (Liu Haoran) is flying back to his hometown in northeastern China, when he spots his childhood friend An Delie (played by director Zijian) (Dong) on the plane, who fails to recognise him. When their flight is diverted because of heavy snow, the duo go on a journey that brings back long-forgotten memories in which Limo has to deal with the demons from his past. Beautifully photographed by Pema Tsedan across two time periods, the film shows the long-term emotional impact of the traumas of our childhood.
HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?