MY FRIEND AN DELIE
SHOWTIME
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THE TALE OF DAYE'S FAMILY
Director: Karim Elshenawy
Daye, an 14-year-old Nubian albino with a golden voice, faces adversity due to his unique appearance. Abandoned by his father and bullied by peers, he dreams of following his idol, Mohamed Mounir. When he gets a chance to audition for The Voice, Daye and his family embark on a perilous journey from Aswan to Cairo. Their journey is fraught with challenges: a stolen car, lost money, and a harrowing escape from the police. They face discrimination and struggle to survive, but their unwavering determination and Daye's powerful voice keep them going. With the help of a kind fireman and a chance encounter with Mounir himself, Daye overcomes obstacles and captures the hearts of a nation. Daye is a heartwarming tale of resilience, hope, and the transformative power of music. It’s a poignant exploration of tolerance, ambition, and the unbreakable bond of family.
BLACK DOG
Director: Guan Hu
While China buzzes in anticipation of the Beijing Olympics, Lang returns from a decade in prison to his home town to find it largely deserted, its crumbling concrete blocks being torn down to make way for a new industrial city. The exodus of humans means that the area is now overrun with stray dogs; Lang, needing a job, joins a hastily assembled extermination team supposed to round them up but, when a dog suspected of having rabies adopts him, he realizes his real mission is to save the animals, including the ones at the nearly deserted local zoo.. In a riveting, almost wordless performance, Eddie Peng shows Lang recover his humanity, even as the landscape around him becomes increasingly desolate.
EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.
FREEDOM WAY
Director: Afolabi Olalekan
When two young software engineers set up EasyGo, a ride-sharing scheme for commercial motorcyclists in hectic Lagos, it is a godsend to riders like Abiola, who is soon depending on its customers to support his family. The success of the app, however, attracts the attention of corrupt police and government ministers who contrive to get it banned. Other stories – one about a doctor wrestling with his conscience, one about two police officers at loggerheads over the common practice of shaking down young people in the street – show that this kind of low-level violence is everywhere.. Like Lagos itself, the melodramatic storylines are fast and intense; as the characters’ stories start to dovetail, as if the city itself were pushing them together.