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TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.
EAST OF NOON
Director: Hala Elkoussy
Stuck in a sandy enclave in the middle of nowhere, aspiring musician Abdo divides his time between digging graves and creating music using household implements. Along with his Nunna, he is plotting his escape to a wider world while scheming to survive the everyday tyranny of the enclave boss, Master Shawky. A story that is very much about the power of story-telling, with some of the flavour of the Arabian Nights, the evocatively titled East of Noon is shot largely in black and white. This surface beauty gives its familiar theme of youthful revolt a surreal, fantastical quality, allowing ideas that would otherwise be taboo to float free.
QUIET LIFE
Director: Alexandros Avranas
Sergei and Alina, both teachers, have fled persecution in Russia with their two daughters to Sweden, where they have applied for asylum. They do their best to fit in: the parents work hard, the children throw themselves into their Swedish school lives and the family welcomes regular inspections, proving what excellent Swedish citizens they would be. It is a shock when their application is rejected, after which the younger daughter Katja collapses into a coma caused by Child Resignation Syndrome, a well-documented phenomenon among refugee children. The callousness of the authorities and its institutions, which seem designed to strip everyone of humanity and hope, is chilling, only just trumped by the film’s core values of justice and resilient love.