WHAT IF THEY BOMB HERE TONIGHT?

Other movies
THE FINALE
Director: Rodolphe Chedid
In a secluded Lebanese village, Amal and Naeem, married for 50 years, find their peaceful life marked by the absence of their children, who left during the war more than three decades ago. Feeling a profound void, Amal seeks to rekindle their connection and rediscover meaning by asking Naeem to write their life story. He reluctantly agrees, and they embark on an intimate journey through forgotten memories and unspoken truths. As they revisit their past, they confront the love they’ve built and the questions that have shaped their lives. Filmed with a unique and original cinematic language, this love story is a powerful testament to how film can beautifully convey emotions, memories and the intimate details that make life extraordinary.
IRKALLA: GILGAMESH'S DREAM
Director: Mohamed Jabarah Al-Daradji
Nine-year-old dreamer Chum-Chum and Moody, a tough 13-year-old, navigate the harsh streets of Baghdad. Moody is obsessed with escaping to the Netherlands with Chum-Chum and his sister, Sara. Things changes when they meet Maryam, a fiery woman who has converted an old double-decker bus into a mobile school for street kids. After Maryam shows Chum-Chum an animation about the mythical hero Gilgamesh’s journey to the underworld, a new obsession takes hold. But Chum-Chum’s dream collides with a dark secret: Moody’s alliance with a ruthless militia leader and his plot to bomb protestors. Chum-Chum must now confront a brutal reality. Can one child's mythical quest save his friend, or will Moody’s dark path consume them both?
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.