TWO SISTERS

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IF I HAD LEGS I'D KICK YOU
Director: Mary Bronstein
Rose Byrne dominates in Mary Bronstein’s psychologically oppressive and compulsively dark story of a mother firmly on the edge. Both the actress and director take no prisoners as Linda (Byrne) appears in a cacophony of demands on her time as a wife, mother and (a barely functioning) therapist. Her sickly daughter is never seen, only a barrage of requests are heard, compounded by the ceiling that has caved in on her apartment, forcing Linda to move to a motel as her long-distance husband occasionally dials in. And one of her patients has disappeared. While the stress ramps up on screen, there is a catharsis to it all. Watch out for a deft cameo from A$AP Rocky.
WEDDING REHEARSAL
Director: Amira Diab
Tamara, with a child from a marriage that did not last long, is from an impoverished aristocratic family. To save her family from bankruptcy, Tamara is to marry Hassan Al-Dabbah, owner of one of the largest meat empires in the Middle East. Despite his wealth, Hassan comes from a nouveau riche family. Shortly before the wedding, the families spend a week together to oversee the wedding preparations. The differences between the families becomes apparent, and behind the fake smiles, all parties supervise the final wedding details. These details are overseen by Omar, Tamara’s old love, who has created a rock sculpture to give a unique character to the wedding. This sculpture will become the source of several disputes during the wedding.
SCARLET
Director: Mamoru Hosoda
Mamoru Hosoda's time-warping animated epic is inspired by Shakespeare’s Hamlet and tells the story of medieval princess Scarlet, who vows to avenge the death of her father at the hands of her grasping uncle. Poisoned, she is thrust into a liminal realm where time collapses and she meets Hijiri, an idealistic medic from the present day. Visually daring, luminous and unflinching, Scarlet fuses hand-drawn richness with cutting-edge CG. Balancing visceral action and romance with a mature meditation on grief, the bounds of vengeance and our shared humanity, the film stands as an achingly relevant elegy in today’s war-scarred world.