THE LAST DISPLACED
Other movies
STATE OF SILENCE
Director: Santiago Maza
Four Mexican journalists who risk their lives to report on their country’s violent “narco-politics” talk in depth about their experiences, the dangers they face and the crucial importance of independent journalism. Mexico has been the frontline of the so-called “war on drugs” for two decades, where the line between law and crime is blurred – the continuing threats against journalists have effectively created dangerous zones of silence. Jesús Medina, Juan de Dios García Davish, María de Jesús Peters and March Vizcarra are committed to breaking that silence, reporting on local corruption, the theft of water from farmers by the drug lords and cartel-related shootings. Medina describes his job as being an “amplifier” for ordinary people who, without a free and committed press, have no voice.
AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.
AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.