
TALES ON THE BANKS OF THE BOSPHORUS
SHOWTIME

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FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.

6 AM
Director: Mehran Modiri
Sarah is leaving Teheran for three years to study for her doctorate in Canada. Her flight is at 6 am. After an emotionally fraught final dinner with her family, she heads to an impromptu farewell party at her friend Farida’s apartment, intending to go straight to the airport afterwards. That plan implodes, however, when the morality police swoop in. Drinks are emptied, musical instruments hidden and women put on their overcoats, while Sarah is seized with terror that they will all be arrested – and she, of course, will miss her plane. Mehran Modiri, Iran’s popular satirist, who also has a chilling cameo as a police hostage negotiator, proves here that he is just as at home with a nail-biting drama.

HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?

THE LAST RONIN
Director: Maksim Shishkin
Haunted by the ghosts of the past, lone traveller Ronin wanders the post-apocalyptic wastelands in search of his father's killer. The devastation caused by climate change led to a global nuclear war, destroying civilisation as we know it: lands are scorched and cities destroyed. Electrical equipment no longer works and gasoline has long lost the properties that made it the world's greatest resource. The main currency in this new world is AK47 cartridges. Everywhere Ronin goes, he encounters blood-thirsty headhunters and rogue gangs all fighting for scraps in this dangerous new world. Then, one day, Ronin meets a wayward teenage girl who offers him a precious bounty for escorting her to her birthplace, a journey that will require all his fighting skills.