THE GRAND ILLUSION
Other movies
YUNAN
Director: Ameer Fakher Eldin
Haunted by a cryptic family parable, Munir (Georges Khabbaz) flees to a remote island to contemplate a drastic decision. Here he encounters the enigmatic Valeska and her rough, loyal son, Karl. With few words exchanged and quiet acts of kindness, suspicion dissolves, easing Munir’s burden and reigniting his desire to live. Much like the prophet Jonah, who was spit out by the sea and then returned to land, Munir finds himself a stranger in the world, struggling with alienation and aborted dreams. As his mother's memory fades, he also struggles to recall a story about a cursed shepherd his mother told him. A captivating visual fable, the film immerses us in Munir's consuming frustration. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
HIJRA
Director: Shahad Ameen
A grandmother and her two granddaughters journey from Taif to Mecca. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women. Set against the backdrop of the Hajj pilgrimage, Hijra portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Their journey carries the weight of an entire heritage and offers an emotional, powerful and insightful look at identity. Shot across eight Saudi cities, the film provides a deep dive into the nation’s rich cultural tapestry. Actress Khairia Nazmi infuses the story with profound emotion due to her strength and energy.
THE STORIES
Director: Abu Bakr Shawky
In the summer of 1967 in Egypt, aspiring pianist Ahmed begins a long-distance friendship with Liz, his Austrian pen-pal. Their bond, met with suspicion by relatives, helps drive Ahmed’s pursuit of his dream: to perform in a public concert. As they navigate life’s joys and heartaches, their connection and shared ambition endure through the war, family drama and societal opposition they face in Egypt during the 1980s. The film, like Yomeddine, is infused with the director's distinct personality, showing his talent for creating characters and dialogue that are touching and memorable. This is a vivid and authentic tribute to Egypt, capturing a love story filled with the innocence and ambition of a generation during a key period in Arab history.
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?