Skip to content
PG15

THE LAST RONIN

Genre
Adventure, Fantasy and Action
Running time
121 minutes
Year
2024
Language
Russian
Subtitle
English and Arabic
Country
Russia
Director
Maksim Shishkin
Bio
Producer
Vadim Vereshchagin, Vladimir Maslov, Sergey Shishkin, Elvira Dmitrievskaya
Cast
Yuri Kolokolnikov, Diana Enakaeva, Daniil Vorobyov, Tikhon Zhiznevskiy, Aleksandr Mizev
Scriptwriter
Maksim Shishkin
Haunted by the ghosts of the past, lone traveller Ronin wanders the post-apocalyptic wastelands in search of his father's killer. The devastation caused by climate change led to a global nuclear war, destroying civilisation as we know it: lands are scorched and cities destroyed. Electrical equipment no longer works and gasoline has long lost the properties that made it the world's greatest resource. The main currency in this new world is AK47 cartridges. Everywhere Ronin goes, he encounters blood-thirsty headhunters and rogue gangs all fighting for scraps in this dangerous new world. Then, one day, Ronin meets a wayward teenage girl who offers him a precious bounty for escorting her to her birthplace, a journey that will require all his fighting skills.

Other movies

THE WIZARD OF THE KREMLIN

Director: Olivier Assayas

Olivier Assayas plunges the viewer into the final years of the Soviet Union and the start of the Russian Federation with confidence and precision in this political thriller which premiered at this year's Venice Film Festival. Paul Dano leads a tightly-calibrated cast as the fictional Vadim Baranov, a theater director-turned-TV executive, spin doctor and Kremlin kingmaker to Vladimir Putin (played by Jude Law, continuing his recent career resurgence) as the Russian premier makes his unstoppable rise to power. Calibrated performances guide the viewer through a period of time which sets the scene for where Russia is today. Alicia Vikander, Tom Sturridge and Jeffrey Wright co-star in this ink-black comedy based on the 2022 novel of the same name. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"

IF I HAD LEGS I'D KICK YOU

Director: Mary Bronstein

Rose Byrne dominates in Mary Bronstein’s psychologically oppressive and compulsively dark story of a mother firmly on the edge. Both the actress and director take no prisoners as Linda (Byrne) appears in a cacophony of demands on her time as a wife, mother and (a barely functioning) therapist. Her sickly daughter is never seen, only a barrage of requests are heard, compounded by the ceiling that has caved in on her apartment, forcing Linda to move to a motel as her long-distance husband occasionally dials in. And one of her patients has disappeared. While the stress ramps up on screen, there is a catharsis to it all. Watch out for a deft cameo from A$AP Rocky.

A SAD AND BEAUTIFUL WORLD

Director: Cyril Aris

Born during a tragic massacre in Beirut, Nino and Yasmina are cosmically bound from childhood. Through shared hardships — Nino’s loss of his parents and Yasmina’s parents’ divorce — they forge an unbreakable bond. Yasmina, dreaming of escape, proposes a magical train ride to a remote island. Nino agrees, but their plan is shattered when she moves away. Fate reunites them 24 years later, and despite her cynical view of Beirut and life, Yasmina is captivated by Nino’s optimism. She falls in love, abandoning her emigration plans, and is swept away by their connection. This is a powerful tale of longing, love and destiny, portrayed by performances that remind us of the beauty of life when viewed through love's lens.

KOKUHO

Director: Lee Sang-Il

A box-office hit in Japan, Kokuho is Lee Sang-il’s long-gestating passion project, born from a 15-year fascination with kabuki and the tradition of onnagata: male actors who play female roles on stage. Adapted from a novel by Shūichi Yoshida, the story begins in 1964 Nagasaki and unfolds over five decades, tracing the bond between Kikuo — taken in by a kabuki master after his father’s death — and the master’s son, Shunsuke. Part brotherhood, part rivalry, their connection fuels a sweeping saga of ambition, sacrifice and devotion within a revered theatrical lineage. Starring Ryo Yoshizawa and Ryusei Yokohama, Kokuho is visually sumptuous and emotionally resonant — a powerful meditation on legacy, identity and the high cost of artistic greatness.


الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.