SONNE
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In-Conversation with Viola Davis
Director: Viola Davis
Viola Davis is an acclaimed American actress and film producer celebrated for her powerful performances across screen and stage. She is one of the few artists to achieve both the Triple Crown of Acting—winning an Academy Award, Emmy, and Tony—and the prestigious EGOT. Time magazine named her one of the 100 most influential people in the world in 2012 and 2017. In 2020, The New York Times ranked her ninth among the greatest actors of the 21st century. In 2017, Davis received a star on the Hollywood Walk of Fame, presented by her Doubt co-star Meryl Streep. During her acceptance speech, Davis reflected, “God has blessed my life in abundance.” Streep wrote about Davis for Time, praising her artistic gifts as “deep and rich and true” and highlighting her cultural significance, saying Davis has “carved a place for herself on the Mount Rushmore of the 21st century.” That same year, Davis was named Harvard University’s Artist of the Year. In 2022, Davis starred in The Woman King, a historical epic about the Kingdom of Dahomey, where she portrayed Nanisca, a general of an all-female military unit. Her performance was widely acclaimed. That same year, she was cast as Dr. Volumnia Gaul in The Hunger Games: The Ballad of Songbirds and Snakes, a prequel to the popular film series. Earlier, Davis portrayed former First Lady Michelle Obama in the Showtime series The First Lady. Davis is also a passionate advocate against childhood hunger in the United States. Since 2014, she has worked with the Hunger Is campaign, drawing on her own experiences growing up in poverty. She has shared, “Seventeen million kids in this country, one in five, go to bed hungry. I was one of those kids.” Davis rummaged through trash and stole food as a child, an experience that fuels her activism today. Speaking at the 2014 Variety Power of Women luncheon, she emphasized the campaign’s mission to “eradicate” hunger, stating that all children deserve a chance to achieve their dreams. To support this cause, Davis launched the $30K in 30 Days Project, awarding grants to organizations like the Rhode Island Community Food Bank in her home state. Her dedication to philanthropy complements her extraordinary contributions to film and culture, solidifying her legacy as both an artist and advocate.
ZORRO
Director: Jean Baptiste Saurel
In 1821, after the unexpected death of his father, Don Diego de la Vega (the always charismatic Jean Dujardin) is named mayor of Los Angeles, a city facing massive financial trouble and with greedy businessman Don Emmanuel close to taking over the city of angels. Don Diego feels that the answer is to bring back Zorro, but it's been 20 years since he's worn the mask, and he isn't getting any younger. While the old costume just about fits, Don Diego struggles to balance his dual identity as both Zorro and mayor. And though his wife Gabriella is unaware of his secret identity, she certainly takes an interest in the mystery man in the black cape. A humorous reimaging of the legend.
THE LAST RONIN
Director: Maksim Shishkin
Haunted by the ghosts of the past, lone traveller Ronin wanders the post-apocalyptic wastelands in search of his father's killer. The devastation caused by climate change led to a global nuclear war, destroying civilisation as we know it: lands are scorched and cities destroyed. Electrical equipment no longer works and gasoline has long lost the properties that made it the world's greatest resource. The main currency in this new world is AK47 cartridges. Everywhere Ronin goes, he encounters blood-thirsty headhunters and rogue gangs all fighting for scraps in this dangerous new world. Then, one day, Ronin meets a wayward teenage girl who offers him a precious bounty for escorting her to her birthplace, a journey that will require all his fighting skills.
HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.