In-Conversation with Engin Altan Duzyatan & Nurgul Yesilcay: Echoes of Turkish TV Series
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MY DRIVER AND I
Director: Ahd Kamel
The story revolves around Salma, a smart and strong-willed young girl who knows exactly what she wants out of life. Today, she's in search of ice cream; tomorrow, she plans to explore the world. Her character is a testament to the power of ambition and determination. Salma struggles with her father’s absence, who is often far away, adding complexity to her relationship with her mother, which has not always been easy. This family dynamic shapes her personality and decisions. Salma finds a supportive figure in her Sudanese driver, Qamar, who enriches her life experiences and provides her with a sense of security.
THE LEGEND OF THE VAGABOND QUEEN OF LAGOS
Director: James Tayler
The Agbajowo Collective bring a lively mix of legend and community struggle to a fable grounded in Nigeria’s real-life mass evictions. In 2017, the state government and corrupt police colluded to burn out and bulldoze the waterside shanty town of Otodo-Gbame, leaving thousands homeless. Those who resisted were beaten, jailed or worse. In the fictionalised version - called Agbojedo - young mother Jawu, living in the floating slums on the lagoon that gives Lagos its name, is compelled by the spirit of the great warrior king Egbaezen to stand firm against these forced evictions, unifying her poor but loyal community behind her in an epic multi-genre adventure containing a stash of extorted money and a magical African Grey parrot.
LUMIÈRE, LE CINÉMA
Director: Thierry Frémaux
A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.