SINK

Other movies
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.
GIRL
Director: Shu Qi
Superstar Shu Qi, icon of Asian cinema and muse of Hou Hsiao-hsien, makes her directorial debut with this self-penned, deeply personal coming-of-age drama. In a cramped home ruled by abuse, young teenager Lin Xiaoli keeps her head down, caring for her little sister while her father’s drunken rages cascade into her mother’s cruelty. Everything shifts when she befriends Li Lili, a rebellious classmate who skips class, smokes and urges Xiaoli to challenge the family’s toxic status quo. As escape glimmers, Shu Qi films with poised restraint, observing at a remove and tuning the viewer to intimate, everyday textures with a quietly harrowing strength. Tender yet unsentimental, Girl finds fragile beauty amid hurt and announces a formidable new directorial voice.
THE STORIES
Director: Abu Bakr Shawky
In the summer of 1967 in Egypt, aspiring pianist Ahmed begins a long-distance friendship with Liz, his Austrian pen-pal. Their bond, met with suspicion by relatives, helps drive Ahmed’s pursuit of his dream: to perform in a public concert. As they navigate life’s joys and heartaches, their connection and shared ambition endure through the war, family drama and societal opposition they face in Egypt during the 1980s. The film, like Yomeddine, is infused with the director's distinct personality, showing his talent for creating characters and dialogue that are touching and memorable. This is a vivid and authentic tribute to Egypt, capturing a love story filled with the innocence and ambition of a generation during a key period in Arab history.
IRKALLA: GILGAMESH'S DREAM
Director: Mohamed Jabarah Al-Daradji
Nine-year-old dreamer Chum-Chum and Moody, a tough 13-year-old, navigate the harsh streets of Baghdad. Moody is obsessed with escaping to the Netherlands with Chum-Chum and his sister, Sara. Things changes when they meet Maryam, a fiery woman who has converted an old double-decker bus into a mobile school for street kids. After Maryam shows Chum-Chum an animation about the mythical hero Gilgamesh’s journey to the underworld, a new obsession takes hold. But Chum-Chum’s dream collides with a dark secret: Moody’s alliance with a ruthless militia leader and his plot to bomb protestors. Chum-Chum must now confront a brutal reality. Can one child's mythical quest save his friend, or will Moody’s dark path consume them both?