
ASEER MEMORY
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WE LIVE IN TIME
Director: John Crowley
Florence Pugh and Andrew Garfield bring humour and exceptional personal chemistry to this compelling tale of love, marriage, and heartache. The movie's unique feature is that the narrative skips back and forth in time across a decade so that we absorb all of their lives – highs, lows, romance and parenthood – as a jigsaw puzzle that helps us understand their decisions in the different phases of their relationship. It's a real tearjerker that shows how ambitious chef Almut meets Tobias, a data cruncher whose marriage has just ended, and then they fall in love and have to cope with all the hurdles put in front of them. When Almut decides to enter a high-stakes cooking championship the tension between them boils over.

BREAD AND SALT
Director: Hussein Fawzi
Bread and salt, a greeting in many languages, signifies friendliness and generosity. In this Egyptian classic, Buthaini meets young commerce graduate Saber when her father dies and she takes refuge in Cairo’s “neighbourhood of bread and salt”. Love blossoms between them but, when Buthaina finds work as a singer with the wealthy Bahjat Bey, she changes almost overnight, abandoning Saber. Hurt and shocked, he attacks her choices with such fury that she flees the neighbourhood, getting another job in a nightclub. It takes many more misunderstandings before love prevails in a satisfyingly happy ending. One of the best-known films by prolific writer and cinematographer Hussein Fawzi.

MOON
Director: Kurdwin Ayub
Sarah, a former mixed martial arts champion in Austria, knows she needs to make a new start. While her sister urges her to start a business, she jumps at an unexpected offer to go to Jordan to train three teenage daughters of a dazzlingly rich family living in an isolated, fiercely guarded mansion. Sarah soon sees that the girls don’t want to train, but have little else in their closeted lives: no internet allowed, no friends and only rare outings to the mall, where they are closely watched, for entertainment. The house, moreover, seems to hold its own secrets; why is Sarah forbidden to go upstairs? Director Ayub maintains the tension of a thriller in this story of life in a golden cage.