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Red Sea Lodge announces the winners of it’s two production grants worth $500,000 each

September 25, 2020

The Red Sea International Film Festival announced the selection of twelve projects for its first edition of the Red Sea Lodge: Script & Feature lab. Today, an eminent jury composed of Nadia Turincev, Meinolf Zurhorst and Yousry Nasrallah selected and announced the winners of the two $500,000 production grants.

The Red Sea Lodge Production Grant for a Saudi Project was awarded to Sharshaf by Hind Alfahhad, written by Hana Alomair and produced by Talal Ayel. The jury said they were enamoured by the “Touching and strong female character, and the bonds in a relationship that can bring us together and tear us apart.” They were also intrigued that it was set in “A period of Saudi Arabia’s history the world knows so little about, unveiled to us by Hind Alfahhad.”

Hind Alfahhad’s Sharshaf is set in 1978. Haila, the daughter of a conservative Imam, marries Mosa’ed, the son of a rich and well-known fabric stores owner. The young couple spend their honeymoon in Cairo. Sharshaf is a romantic drama that follows Haila as she gets to know what she wants through the magic of cinema and how this discovery is challenged later as extremism invades the society.

The Red Sea Lodge Award for an Arab Project was awarded to Bullets & Bread by Mohammad Hammad, produced by Kholoud Saad and Mohamed Hefzy. Mohammed Hammad’s Bullets & Bread is based on the story of the writer Tamer Abdrab Elnaby. About paths that were not meant to cross and a true friendship that grows out of it.

The jury enjoyed the dynamic at the film’s heart which they described as “A story about friendship and adversity. We can’t wait to be part of this road trip, this cinematic voyage.”

The Jury also gave a special mention to the Saudi Project Four Acts of Disruption directed by Hussam AlHulwah and produced by Mohammad Alhamoud, which will be awarded $25,000 by the Red Sea Lodge for further development. The story is set in the 1930s while the newly formed Kingdom of Saudi Arabia is adjusting to the arrival of American oil prospectors. The jury gave special recognition to the project and stated “The film has huge potential and we hope that Hussam AlHulwah and Mohammad Alhamoud can continue to develop the project and bring it to fruition.”

The six Saudi projects selected for the inaugural Red Sea Lodge: Basma written by Fatima Al-Banawi and directed by Ali Alsumayin, Practicing Polygamy directed by Malak Qouta, Four Acts of Disruption directed by Hussam AlHulwah, When The Star Goes Down directed by Mohammed Salman, Sharshaf directed by Hind Alfahhad and Hejj to Disney directed by Maha Al-saati.

The six Arab projects: Scheherazade Goes Silent directed by Amira Diab, Inchalla A boy directed by Amjad Alrasheed, The Arabic Interpreter directed by Ali Kareem, Bullets & Bread directed by Mohammed Hammad, The Basement Notes directed by Hadi Ghandour, and I Am Arzé directed by Mira Shaib.

In collaboration with the TorinoFilmLab, the Lodge hand-picked twelve emerging filmmakers, pairing each with an experienced mentor to support and enhance their work throughout the creative process.

The comprehensive program is for directors and producers, with scriptwriters if on board, to hone and further all aspects of their vision. Every stage of filmmaking was explored, from script consultations to working with experts in the fields of directing, cinematography and sound, through to post-production as well as a commercial focus on financing, sales, and audience engagement.

On another note of exciting news: Director Maha Al-Saati’s Red Sea Lodge project Hejj To Disney was selected for TIFF Filmmaker Lab, and for the upcoming development programmes at Malmo Arab Film Festival (MAFF) and El-Gouna Film Festival. Saudi director Al Saati will also participate in The Hollywood Foreign Press Association (HFPA) Residency in 2021.

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• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
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• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

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تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

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