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In-Conversation with Shradha Kapoor
Director: Shraddha Kapoor
Shraddha Kapoor, a powerhouse of talent and charm, is among Bollywood’s most celebrated stars. With hits like Aashiqui 2 (2013), Stree (2018), and the record-breaking Stree 2 (2024), which has shattered box office records and culture, she has cemented her legacy as a box office queen. Beyond cinema, Shraddha reigns as the most-followed Indian actor and the second-most-followed Indian on social media, reflecting her unparalleled global fanbase.

SOMEBODY
Director: Yeo-Jung Kim
This exceptional psychological thriller from South Korea poses dark questions about the complex relationship between mothers and daughters. Swimming instructor Young-eun (Kwak Sun-young) is disturbed and embarrassed by the increasingly violent behaviour of her seven-year-old daughter So-hyun. When Young-eun realises that she cannot change her daughter's disposition she decides to take matters into her own hands with bloody results. Co-directors Kim Yeo-Jung and Lee Jung-chan show a mastery of suspense in these eerie scenes before they produce their biggest shock when the action jumps forward two decades and new characters emerge. Min (K-Pop superstar Kwon Yu-ri) and Hae-yeong (Lee Sul) are flatmates with their own devastating psychological family traumas, and dark secrets being to emerge keeping the audience guessing to the end.

K-POPS
Director: Anderson .Paak
Eight-time Grammy winner Anderson .Paak makes his film debut with the story of a washed-up drummer whose life turns around when he meets his teenage son for the first time. Paak himself plays the father BJ, who is still holding out in middle age for rock’n’roll stardom; his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean. When BJ gets an unexpected gig on a Korean talent show, he discovers Tae Young, a hotly-tipped contestant. Eager to make up for lost parenting time, BJ becomes the boy’s mentor – but the truth is that he needs help to grow up himself. Riffing off their real family relationships, .Paak’s comedy is an instant winner full of charm and K-Pop fandom.

BIN U BIN, ELSEWHERE THE BORDER
Director: Mohamed Lakhdar Tati
In the rocky desert Algerian border country, Fethi and his fellow villagers eke out a living smuggling goods – mostly petrol – into Tunisia, working at night and paying off the local crime lords. Saad, a film-maker trying to raise money to finish his movie, has worked for a year with Fethi. He lives in his family’s shed, included as part of a loving household as well as their risky business. At the same time he is obviously an outsider: smartly dressed and prepared to talk back to anyone, including the imam. Tough, gritty but also moodily atmospheric, its tension sustained by a tumultuous soundscape, theis remarkable film delves deeply into the complexities of family, friendship and daily survival.