YALLA PARKOUR
SHOWTIME
Other movies
THE LEGEND OF THE VAGABOND QUEEN OF LAGOS
Director: James Tayler
The Agbajowo Collective bring a lively mix of legend and community struggle to a fable grounded in Nigeria’s real-life mass evictions. In 2017, the state government and corrupt police colluded to burn out and bulldoze the waterside shanty town of Otodo-Gbame, leaving thousands homeless. Those who resisted were beaten, jailed or worse. In the fictionalised version - called Agbojedo - young mother Jawu, living in the floating slums on the lagoon that gives Lagos its name, is compelled by the spirit of the great warrior king Egbaezen to stand firm against these forced evictions, unifying her poor but loyal community behind her in an epic multi-genre adventure containing a stash of extorted money and a magical African Grey parrot.
PANDA BEAR IN AFRICA
Director: Richard Claus
When Panda Ping’s best friend, Jielong the Dragon, is kidnapped by a baboon and smuggled to Africa, Ping sets off from their forest home in South China to rescue him - stowing away on a junk ship, he lands in East Africa and gets captured. Alongside the monkey Jojo, Ping escapes, and they cross deserts and mountains facing down the hippopotamus, an army of meerkats and a suspicious hyena before discovering Jielong at the court of King Ade, a spoilt teenage lion. But Ade is not safe either: his uncle, evil Malume, is plotting to dethrone him and destroy the neighbouring jungle home of Niala, Ping’s new hyena friend. Ping is just one small panda. Can he save everyone?
THE INEVITABLE JOURNEY TO FIND A WEDDING DRESS
Director: Jaylan Auf
On the eve of her wedding, Warda has a disastrous accident with her bridal gown, ruining it completely. The show is going to go on, however, so she and her best friend set out to find another white dress in a hurry. Their search takes them from one shop to the next across Cairo, giving these two working-class girls a new vision and experience of the city where they have grown up and which becomes a major character in the film. For Warda, it is also a journey of self-discovery, challenging her relationship with herself. The wedding dress becomes the central motif in a social drama about life in modern, rapidly changing city.