WHERE'S THE IMAM?

Other movies
UNIDENTIFIED
Director: Haifaa Al Mansour
Noelle Al Saffan, a 29-year-old divorcee, returns to her small hometown for a fresh start. A fan of true crime podcasts, she gets a mundane clerical job at the local police station, digitizing old files. Her life changes when a teenage girl's body is found in her school uniform, with no ID. Haunted by the girl's senseless death, Noelle decides to investigate. She uses her insight into the hidden world of women to identify the victim, befriending a group of women and other characters that all seem connected to the crime. To solve the mystery, she must challenge her preconceived notions about women and their threats.
THE STORIES
Director: Abu Bakr Shawky
In the summer of 1967 in Egypt, aspiring pianist Ahmed begins a long-distance friendship with Liz, his Austrian pen-pal. Their bond, met with suspicion by relatives, helps drive Ahmed’s pursuit of his dream: to perform in a public concert. As they navigate life’s joys and heartaches, their connection and shared ambition endure through the war, family drama and societal opposition they face in Egypt during the 1980s. The film, like Yomeddine, is infused with the director's distinct personality, showing his talent for creating characters and dialogue that are touching and memorable. This is a vivid and authentic tribute to Egypt, capturing a love story filled with the innocence and ambition of a generation during a key period in Arab history.
NIGHTTIME SOUNDS
Director: Zhang Zhongchen
Nighttime Sounds blends social realism with surrealist poetry to explore the emotional landscapes of women in rural China: their buried desires and muted cries for freedom, love and recognition. Eight-year-old Qing lives with her mother, while her father works in a distant city. One morning, Qing encounters a ghostly child searching for their missing mother. Through dreamlike imagery and a haunting soundscape, director Zhang Zhongchen weaves a powerful tale of memory, longing and the silence passed from one generation of women to the next.
BLACK RABBIT, WHITE RABBIT
Director: Shahram Mokri
Iranian filmmaker Shahram Mokri develops multiple plot strands this engrossing, multilayered, playful and skilled drama centering around Sarah, the victim of a suspicious car crash who is swaddled in bandages and at odds with her controlling husband. What turns out to be a film-within-a-film-within-a-film zooms out to include the remake of a classic Iranian movie in Tajikistan, an armourer worried about a prop gun and an actress looking for her big break. Of course their fates collide through multiple fluid, bravura circular takes, often covering the same time frame, bold touches of magical realism — or are they sight gags? — and an eternal mystery. This spinning story is Tajikistan’s Oscar entry for this year.