WHAT'S LOVE GOT TO DO WITH IT?
Other movies
SIRÂT
Director: Oliver Laxe
‘Sirat’ is a term referring to the treacherous bridge between heaven and hell. Oliver Laxe’s film is certainly an odyssey and a sonic spectacular: his hypnotic rhythms carve a path for this temporal road movie in which Sergi López plays a father who has taken his son to search for their daughter/sister, missing in Morocco’s nomadic and quasi-feral rave scene. With an apocalypse taking place offscreen, the protagonist flees across a mythical landscape with a crew of non-professional actors. Sirât glimmers between sound and fury, pounds between loss and unfathomable grief, and leads audiences to what feels like the end of creation. Spain’s Oscar entry and 2025 Cannes jury prize winner is that rare cinematic achievement: an indelible gift of sound and vision. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
GIANT
Director: Rowan Athale
Rowan Athale directs this inspiring true story of legendary British-Yemeni boxing champion 'Prince' Naseem Hamed (Amir El-Masry) and his relationship with Irish boxing trainer Brendan Ingle (Pierce Brosnan). Giant charts Naseem’s rags-to-riches underdog tale from his humble beginnings in Sheffield to becoming featherweight champion of the world. With his dominance of the sport, Naseem faced down the racism and islamophobia that swept Britain in the 1980s and '90s and Giant explores the unlikely and tender relationship between Naseem and Ingle, as well as the instrumental role that Ingle played on the boxer’s road to success.
BLACK RABBIT, WHITE RABBIT
Director: Shahram Mokri
Iranian filmmaker Shahram Mokri develops multiple plot strands this engrossing, multilayered, playful and skilled drama centering around Sarah, the victim of a suspicious car crash who is swaddled in bandages and at odds with her controlling husband. What turns out to be a film-within-a-film-within-a-film zooms out to include the remake of a classic Iranian movie in Tajikistan, an armourer worried about a prop gun and an actress looking for her big break. Of course their fates collide through multiple fluid, bravura circular takes, often covering the same time frame, bold touches of magical realism — or are they sight gags? — and an eternal mystery. This spinning story is Tajikistan’s Oscar entry for this year.