VULTURES

Other movies
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.
KWIBUKA, REMEMBER
Director: Jonas D'adesky
In Kwibuka, Remember, Jonas D’Adesky tells the story of Lia, a Belgian-Rwandan basketball player facing the twilight of her career. Twenty years after fleeing the genocide, she is asked to join the Rwandan national basketball team. This journey stirs buried memories of a painful past: exile, family silences and the pain of a fractured identity. Through her eyes, the film explores confrontation between memory and the present, and a nation scarred by tragedy with a contemporary Rwanda brimming with life and creativity. The strength of Kwibuka, Remember lies in the delicate handling of generational trauma while highlighting collective hope. Balancing intimacy and history, the film transcends personal drama to deliver a universal story of resilience.
THE VOICE OF HIND RAJAB
Director: Kaouther Ben Hania
The Voice Of Hind Rajab is an emotional and innovative hybrid of documentary and drama that recounts the heart-wrenching story of a six-year-old Palestinian girl killed during the Israel-Gaza war. In January 2024, Hind was trapped for hours in a car after it came under fire, squeezed between the bodies of her aunt, uncle and cousins, leaving her the sole survivor. For hours she remained in contact with Red Crescent volunteers, who navigated a maze of military and governmental approvals in an attempt to reach her. The film transcends traditional cinema, becoming a powerful act of resistance and a vital work of memory. Filmmaker Kaouther Ben Hania delivers a haunting testament to the tragic reality of war, resonating with audiences long after the credits roll.