THE SANDCASTLE

Other movies
SCARLET
Director: Mamoru Hosoda
Mamoru Hosoda's time-warping animated epic is inspired by Shakespeare’s Hamlet and tells the story of medieval princess Scarlet, who vows to avenge the death of her father at the hands of her grasping uncle. Poisoned, she is thrust into a liminal realm where time collapses and she meets Hijiri, an idealistic medic from the present day. Visually daring, luminous and unflinching, Scarlet fuses hand-drawn richness with cutting-edge CG. Balancing visceral action and romance with a mature meditation on grief, the bounds of vengeance and our shared humanity, the film stands as an achingly relevant elegy in today’s war-scarred world.
ERUPCJA
Director: Pete Ohs
Pack your bags for a weekend in Warsaw, Poland in the company of an ensemble cast of characters who criss-cross, connect and re-connect at pivotal junctures. Bethany (Charli XCX) is on a romantic getaway with Rob (Will Madden), who plans to propose, but she hasn’t been entirely honest about her past, or her friendship with Nel (Lena Góra) a florist. Every time they meet there’s a seismic event, an Erupcja (eruption) which leads them down different paths. With Jeremy O. Harris on hand for advice, Pete Ohs’ film resonates, capturing a mood that feels fresh and filled with possibilities. The film is reminiscent of the New Wave and the Before series, but, like Bethany, Eurpcja is its own force.
THE SECRET AGENT
Director: Kleber Mendonça Filho
Fasten your seatbelts: Brazil is in the throes of a military dictatorship and left-leaning academic Marcelo (Wagner Moura) is on the run and headed to Recife with his young son. Once there, he has to get his papers — and best the rogue’s gallery of characters and scenarios strewn in his path by director Kleber Mendonça Filho. Set in 1977, The Secret Agent is full of surprises, cycling between B movie set pieces, some pointed satire and duelling timelines and perspectives. It is a sharp political drama that delivers an entertaining and suspenseful ride, which won best actor and best director at Cannes this year for Moura and Filho respectively. It is also Brazil’s submission to the US Academy Awards.