THE LAST DISPLACED
Other movies
FARRUQUITO - A FLAMENCO DYNASTY
Director: Santi Aguado
Farruquito is celebrated as the finest flamenco dancer of his generation. At only 20 he was captivating audiences around the globe with his talent, yet the shadows of his family’s history loomed large. This dazzling documentary chronicles Farruquito’s journey through triumph and tragedy, focusing on an accident that leads to the death of a pedestrian and lands him in prison. As he navigates the complexities of redemption, the story delves into the lives of his family — his grandfather Farruco, a flamenco innovator whose influence shaped the art form, and his son El Moreno, who aspires to follow in their footsteps.
NORMAL
Director: Ben Wheatley
Normal's night of reckoning and west-meets-east thrills and blood-spills is dark, absurdly funny and drenched in its own B movie with A movie viewing sensibility. Back in trenchant Free Fire form, Ben Wheatley directs Bob Odenkirk (Better Call Saul, the Nobody movies) from a script by Odenkirk and John Wick creator Derek Kolstad. It's mid-winter, and Odenkirk is Ulysses, a laid-back, somewhat oblivious sheriff on a temporary job in a tiny Minnesota town where all is certainly not what it seems — as heavily signalled by an ultra-violent prologue featuring a yakuza standoff in Osaka. Normal is the name of this burg of 1,890 cheerful inhabitants (including cameos from Henry Winkler and Lena Headey), but the film is decidedly anything but.
EARLY DAYS
Director: Priyankar Patra
Filmmaker Priyankar Patra captures the zeitgeist of young love in this fresh-feeling romantic drama. The film follows the beginnings of a relationship between Preeti and Samrat, an aspirational couple in their mid-twenties who have just moved to the megalopolis of Mumbai. As they share their love story via reels on social media, where the immediate validation and promises of quick money initially seduces, and then propels them into the world of influencers. The film explores the impact of social media on contemporary relationships, while its cinematography creates an intimate and voyeuristic viewing experience, similar to that that of social media voyeurism. With its topical subject and natural performances, Early Days is a relatable watch.