THE FAKENAPPING

Other movies
IN-I: IN MOTION
Director: Juliette Binoche
Juliette Binoche’s directing debut is an honest and unflinching account of her artistic collaboration with the British dancer and choreographer Akram Khan, resulting in the 2008 hybrid stage production In-I which premiered at the National Theatre in London. Khan and Binoche honed the show in a workshop, assisted by American acting coach Susan Batson and movement director Hsu Man-su, and filmed by the director’s sister Marion Stalens. Shown alongside footage of the finished show, which features sets by Anish Kapoor and music by Philip Sheppard, this new edit of In-I In Motion marks a rare chance to watch the creative process between two open-minded, questioning, and often exhausted performers as they birth a work of art. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
SCARLET
Director: Mamoru Hosoda
Mamoru Hosoda's time-warping animated epic is inspired by Shakespeare’s Hamlet and tells the story of medieval princess Scarlet, who vows to avenge the death of her father at the hands of her grasping uncle. Poisoned, she is thrust into a liminal realm where time collapses and she meets Hijiri, an idealistic medic from the present day. Visually daring, luminous and unflinching, Scarlet fuses hand-drawn richness with cutting-edge CG. Balancing visceral action and romance with a mature meditation on grief, the bounds of vengeance and our shared humanity, the film stands as an achingly relevant elegy in today’s war-scarred world.
TWO SEASONS, TWO STRANGERS
Director: Sho Miyake
Adapted from Yoshiharu Tsuge’s manga short stories from the 1960s, Two Seasons, Two Strangers follows Li (Shim Eun-kyung), a creatively blocked Korean screenwriter adrift in Japan. As she imagines a bittersweet seaside tale of two lonely youths crossing paths, a film-within-a-film unfolds onscreen and we realise her own emotional journey is mirroring theirs. Months later, in a snowy mountain village, Li finds connection with a solitary innkeeper, and slowly reclaims her voice, rediscovering purpose and the beauty of the understated. Filmmaker Sho Miyake distills transformation into its quietest form, where meaning clings to the ordinary and unravels in near-silence. The film explores relationships born of chance — not romance or friendship, but something softer, stranger and just as essential.