
THE CHILD IN HIS OWN CLOSET
Other movies

CROCODILE TEARS
Director: Tumpal Tampubolon
On a Crocodile Farm in West Java, Indonesia, a young boy reaches puberty, and his problems with his mother start. Johan, a young man tethered to his mother, Mama, by invisible but unbreakable chains, dreams of freedom yet remains under her suffocating grip. Isolated from the world, their life on the farm is a tense routine of survival and emotional manipulation, disrupted only when a young woman’s arrival threatens the delicate balance. As Johan begins to see through Mama’s relentless hold, he confronts the painful reality of their bond: is it love, or is it tyranny? Director Tumpal Tampubolon dives deep into the tangled web of family loyalty and control in this haunting drama raising timeless questions about family, power, and the cost of independence.

In-Conversation with Olivia Wilde
Director: Olivia Wilde
Director, actress, producer and activist Olivia Wilde is one of Hollywood’s most dynamic forces. Wilde most recently starred in and directed Don’t Worry Darling, which debuted at the 2022 Venice Film Festival and grossed nearly $100 million worldwide. Her award-winning directorial debut Booksmart became a generational anthem and continues to be praised as one of the most beloved films of its decade. As an actor, Wilde has starred in Her; Babylon; Rush; Cowboys & Aliens; Tron: Legacy; A Vigilante; Meadowland; The Incredible Burt Wonderstone; Drinking Buddies; 1984 on Broadway and on television, the Emmy award winning series House. Upcoming, Wilde will star in Gregg Araki’s thriller I Want Your Sex and Sarah Adina Smith’s psychological thriller Monkey Hill. Wilde is also attached to direct Avengelyne, a film adaptation of the ’90s comic book character and Universal Pictures’ Christmas comedy Naughty, both of which will be produced by Margot Robbie’s LuckyChap.

SIMA’S SONG
Director: Roya Sadat
Afghanistan in 1972 is a cauldron of opposing political forces. Suraya, part of an influential political family, becomes head of the dominant Communist Party’s women’s organisation, believing it is the best hope for equal rights. Her friend Sima is sceptical of all politics and, as a talented musician, is dedicated to her traditional art and its romantic themes. Despite their differences, these two young women remain best friends through university, even when Sima marries and starts attending Muslim Youth meetings. When the army starts arresting Muslim activists, Suraya helps her friends escape to the mountains and the protection of the mujahadeen, but war follows them. The film is a marvellous testament to the courage and loyalty of Afghani women in the face of constant adversity.