
In-Conversation with Olivia Wilde
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BLACK DOG
Director: Guan Hu
While China buzzes in anticipation of the Beijing Olympics, Lang returns from a decade in prison to his home town to find it largely deserted, its crumbling concrete blocks being torn down to make way for a new industrial city. The exodus of humans means that the area is now overrun with stray dogs; Lang, needing a job, joins a hastily assembled extermination team supposed to round them up but, when a dog suspected of having rabies adopts him, he realizes his real mission is to save the animals, including the ones at the nearly deserted local zoo.. In a riveting, almost wordless performance, Eddie Peng shows Lang recover his humanity, even as the landscape around him becomes increasingly desolate.

SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.

LUMIÈRE, LE CINÉMA
Director: Thierry Frémaux
A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.

MARIA
Director: Pablo Larraín
Maria Callas, the greatest opera singer the world has seen, died aged only 53 in her sumptuous Parisian apartment, discovered by the devoted servants who had spent their days hiding her pills and trying to persuade her to eat. She had not sung in public for years. Larrain’s swirling work of fantasy shows La Callas remembering - or hallucinating - performances from her past, her long affair with Aristotle Onassis and her loveless childhood in wartime Athens, where she sang for German soldiers. Wandering Paris in her last days, Maria is trailed by an imaginary journalist to whom she tries to explain the pain and effort of creation. Angelina Jolie conveys Callas’s grandeur and her inner tumult in a landmark performance.