
THE CALL OF THE BROOK

Other movies

K-POPS
Director: Anderson .Paak
Eight-time Grammy winner Anderson .Paak makes his film debut with the story of a washed-up drummer whose life turns around when he meets his teenage son for the first time. Paak himself plays the father BJ, who is still holding out in middle age for rock’n’roll stardom; his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean. When BJ gets an unexpected gig on a Korean talent show, he discovers Tae Young, a hotly-tipped contestant. Eager to make up for lost parenting time, BJ becomes the boy’s mentor – but the truth is that he needs help to grow up himself. Riffing off their real family relationships, .Paak’s comedy is an instant winner full of charm and K-Pop fandom.

TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.

HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?