TASTE THE REVOLUTION
SHOWTIME
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THE LAST RONIN
Director: Maksim Shishkin
Haunted by the ghosts of the past, lone traveller Ronin wanders the post-apocalyptic wastelands in search of his father's killer. The devastation caused by climate change led to a global nuclear war, destroying civilisation as we know it: lands are scorched and cities destroyed. Electrical equipment no longer works and gasoline has long lost the properties that made it the world's greatest resource. The main currency in this new world is AK47 cartridges. Everywhere Ronin goes, he encounters blood-thirsty headhunters and rogue gangs all fighting for scraps in this dangerous new world. Then, one day, Ronin meets a wayward teenage girl who offers him a precious bounty for escorting her to her birthplace, a journey that will require all his fighting skills.
FREEDOM WAY
Director: Afolabi Olalekan
When two young software engineers set up EasyGo, a ride-sharing scheme for commercial motorcyclists in hectic Lagos, it is a godsend to riders like Abiola, who is soon depending on its customers to support his family. The success of the app, however, attracts the attention of corrupt police and government ministers who contrive to get it banned. Other stories – one about a doctor wrestling with his conscience, one about two police officers at loggerheads over the common practice of shaking down young people in the street – show that this kind of low-level violence is everywhere.. Like Lagos itself, the melodramatic storylines are fast and intense; as the characters’ stories start to dovetail, as if the city itself were pushing them together.
SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.