TALES ON THE BANKS OF THE BOSPHORUS
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THE INEVITABLE JOURNEY TO FIND A WEDDING DRESS
Director: Jaylan Auf
On the eve of her wedding, Warda has a disastrous accident with her bridal gown, ruining it completely. The show is going to go on, however, so she and her best friend set out to find another white dress in a hurry. Their search takes them from one shop to the next across Cairo, giving these two working-class girls a new vision and experience of the city where they have grown up and which becomes a major character in the film. For Warda, it is also a journey of self-discovery, challenging her relationship with herself. The wedding dress becomes the central motif in a social drama about life in modern, rapidly changing city.
EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.
HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.
FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.