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In Conversation with the Saudi Pioneers Ibrahim Alhasawi and Meshal Almutairi
Director:
Two pioneers of Saudi cinema have played a crucial role in energizing the industry. Each has dedicated their talents to supporting young Saudi filmmakers, fostering creativity and innovation, and bringing untold stories to the screen. Their efforts have helped cinema tap into the wealth of experience already gained in theater and, above all, television. In this conversation, we explore the significance of traditional narratives crafted by exceptional actors, whose work has given young Saudi cinema a distinct identity. The contributions of two actors, formerly active in television series, are now working to elevate the role of actors in Saudi cinema. Ibrahim Alhasawi Ibrahim Alhasawi is a pioneering figure in Saudi drama and cinema. He is an actor, producer, and director having a career that spans over five decades. He began his journey in theater and wrote numerous colloquial poems, garnering numerous awards and honors throughout his career. Alhasawi is renowned for his complex and impactful roles. He has delivered exceptional performances in numerous television series such as "Tash Ma Tash," "Layla," and "Atr Al Jannah." In the realm of cinema, he has participated in over 11 films, several of which have won local, Gulf, and international awards. Among his most prominent cinematic participations, he appeared in the Bahraini film "Al Shajara Al Na’ima" (the sleeping tree) directed by Mohamedd Rashed Buali, and the Emirati film "Kabl An Nansa" (before We Forget) directed by Nawaf Al Janahi. Alhasawi has also shone in Saudi films such as "Al Masafa Sifr" (Zero Distance) directed by Abdulaziz Alshlahei, "Raven Song" directed by Mohammad Alsalman, and "Hajjan" directed by Abu Bakr Shawky. Today, he is collaborating once again with director Abdulaziz Alshlahei in the new film "Hobal," which is being screened at the fourth edition of the Red Sea International Film Festival. Meshal Almutairi Meshal Almutairi is a Saudi actor and producer who has contributed significantly to the vitality of Saudi cinema. He has produced numerous exceptional works, most notably series such as "Al Huboob" and "Om Al Qalayed," as well as programs like "Sheft Al Layl" and "Al Mashhad Al Akhir." Almutairi has also played leading roles in several films and series, including "Kayf Lhal," "Arba'un Yawman wa Laylah," and "Tash Ma Tash." At the fourth edition of the Red Sea International Film Festival, his films "Hobal" directed by Abdulaziz Alshlahei and "Holes" directed by Abdulmohsen Aldhabaan are being screened. Meshal has received numerous awards in recognition of his creativity, including the Best Actor award at the Saudi Film Festival in 2021.

In-Conversation with Aamir Khan
Director: Aamir Khan
A true cinematic icon, Aamir Khan has captivated audiences worldwide with his unforgettable performances in films like Lagaan, 3 Idiots, and Dangal. Known for his exceptional storytelling and dedication to meaningful cinema, Aamir has played a pivotal role in shaping the global perception of Indian films.

MARIA
Director: Pablo Larraín
Maria Callas, the greatest opera singer the world has seen, died aged only 53 in her sumptuous Parisian apartment, discovered by the devoted servants who had spent their days hiding her pills and trying to persuade her to eat. She had not sung in public for years. Larrain’s swirling work of fantasy shows La Callas remembering - or hallucinating - performances from her past, her long affair with Aristotle Onassis and her loveless childhood in wartime Athens, where she sang for German soldiers. Wandering Paris in her last days, Maria is trailed by an imaginary journalist to whom she tries to explain the pain and effort of creation. Angelina Jolie conveys Callas’s grandeur and her inner tumult in a landmark performance.

BIN U BIN, ELSEWHERE THE BORDER
Director: Mohamed Lakhdar Tati
In the rocky desert Algerian border country, Fethi and his fellow villagers eke out a living smuggling goods – mostly petrol – into Tunisia, working at night and paying off the local crime lords. Saad, a film-maker trying to raise money to finish his movie, has worked for a year with Fethi. He lives in his family’s shed, included as part of a loving household as well as their risky business. At the same time he is obviously an outsider: smartly dressed and prepared to talk back to anyone, including the imam. Tough, gritty but also moodily atmospheric, its tension sustained by a tumultuous soundscape, theis remarkable film delves deeply into the complexities of family, friendship and daily survival.