SHIMONI
Other movies
GIRL
Director: Shu Qi
Superstar Shu Qi, icon of Asian cinema and muse of Hou Hsiao-hsien, makes her directorial debut with this self-penned, deeply personal coming-of-age drama. In a cramped home ruled by abuse, young teenager Lin Xiaoli keeps her head down, caring for her little sister while her father’s drunken rages cascade into her mother’s cruelty. Everything shifts when she befriends Li Lili, a rebellious classmate who skips class, smokes and urges Xiaoli to challenge the family’s toxic status quo. As escape glimmers, Shu Qi films with poised restraint, observing at a remove and tuning the viewer to intimate, everyday textures with a quietly harrowing strength. Tender yet unsentimental, Girl finds fragile beauty amid hurt and announces a formidable new directorial voice.
THE SETTLEMENT
Director: Mohamed Rashad
When 23-year-old Hossam's father dies in a factory accident, management of the factory offer a deal: a job for Hossam and his younger brother, 12-year-old Maro, in exchange for burying the truth. With a criminal record and a disabled mother to support, Hossam has little choice but to accept the job, even as his brother insists on working beside him. Hossam is pulled in multiple directions — between the truth of his father's death, a first love affair with a disappearing coworker and his community's dark reputation. This thriller has an intriguing atmosphere, and to emphasize the characters' oppression, director Mohamed Rashad uses sound — especially the overwhelming noise of the factory machines — to immerse the audience in a corrupt world.
SIRÂT
Director: Oliver Laxe
‘Sirat’ is a term referring to the treacherous bridge between heaven and hell. Oliver Laxe’s film is certainly an odyssey and a sonic spectacular: his hypnotic rhythms carve a path for this temporal road movie in which Sergi López plays a father who has taken his son to search for their daughter/sister, missing in Morocco’s nomadic and quasi-feral rave scene. With an apocalypse taking place offscreen, the protagonist flees across a mythical landscape with a crew of non-professional actors. Sirât glimmers between sound and fury, pounds between loss and unfathomable grief, and leads audiences to what feels like the end of creation. Spain’s Oscar entry and 2025 Cannes jury prize winner is that rare cinematic achievement: an indelible gift of sound and vision. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
KOKUHO
Director: Lee Sang-Il
A box-office hit in Japan, Kokuho is Lee Sang-il’s long-gestating passion project, born from a 15-year fascination with kabuki and the tradition of onnagata: male actors who play female roles on stage. Adapted from a novel by Shūichi Yoshida, the story begins in 1964 Nagasaki and unfolds over five decades, tracing the bond between Kikuo — taken in by a kabuki master after his father’s death — and the master’s son, Shunsuke. Part brotherhood, part rivalry, their connection fuels a sweeping saga of ambition, sacrifice and devotion within a revered theatrical lineage. Starring Ryo Yoshizawa and Ryusei Yokohama, Kokuho is visually sumptuous and emotionally resonant — a powerful meditation on legacy, identity and the high cost of artistic greatness.