Skip to content
PG12

SHAMS

Genre
Drama
Running time
10 minutes
Year
2024
Language
Arabic
Subtitle
English
Country
Egypt
Director
Adam Rayan
Bio
Producer
Amanda Noll
Cast
Faris Ashraf Fouad, Taghreed Elnaagar, Mahmoud Faris, Saber Adel
Scriptwriter
Adam Rayan
Omar’s final sight of his father is his body being prepared for burial, the poor little boy’s first encounter with death. Then he faces a second loss: his mother explains they have no money and nothing to sell but Shams, their camel. Taunted by the unpleasant traders who say they will kill Shams for meat, Omar devises a rescue plan and finds his way into the camel yards. He just needs to talk to Shams, who will surely understand: after all, he is Omar’s best friend.

Other movies

ROSE OF NEVADA

Director: Mark Jenkin

Rose Of Nevada is eerie, poignant and the tides are treacherous in this mysterious, daring work. Having brought Enys Men to Red Sea Film Festival in 2022, Mark Jenkin returns with his unique vision in this trenchant time-travelling tale of eternal loss. Two of the UK’s most exciting young actors, George MacKay and Callum Turner, headline this story initially set in a forgotten Cornish fishing village. Nick (MacKay) is trying to fix the roof over his head when he signs up as crew on a mysterious trawler called Rose of Nevada. Liam (Turner) is the stranger who drifts into town and ends up on board. All however, is not as it seems.

COUTURE

Director: Alice Winocour

A delicate garment, feature film Couture is about women brought together in one place, at different stages of life, their stories spinning off one another. Angelina Jolie gives a raw and honest performance in a leading role that is both personal but also universal. Filmmaker Alice Winocour sets the drama during Paris fashion week, where South Sudanese model Ada (Anyier Anei) is alone in the big city. Seamstress Christine (Garance Marillier) is working on Ada's show stopper dress. Angele (Ella Rumpf) is a make-up artist, while Maxine (Jolie) is an American film director there to shoot the fashion house's finale. Soon however, she'll receive news that she has breast cancer. Louis Garrel and Vincent Lindon co-star in this drama of considerable poignancy and potency. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"

THE STORIES

Director: Abu Bakr Shawky

In the summer of 1967 in Egypt, aspiring pianist Ahmed begins a long-distance friendship with Liz, his Austrian pen-pal. Their bond, met with suspicion by relatives, helps drive Ahmed’s pursuit of his dream: to perform in a public concert. As they navigate life’s joys and heartaches, their connection and shared ambition endure through the war, family drama and societal opposition they face in Egypt during the 1980s. The film, like Yomeddine, is infused with the director's distinct personality, showing his talent for creating characters and dialogue that are touching and memorable. This is a vivid and authentic tribute to Egypt, capturing a love story filled with the innocence and ambition of a generation during a key period in Arab history.

YUNAN

Director: Ameer Fakher Eldin

Haunted by a cryptic family parable, Munir (Georges Khabbaz) flees to a remote island to contemplate a drastic decision. Here he encounters the enigmatic Valeska and her rough, loyal son, Karl. With few words exchanged and quiet acts of kindness, suspicion dissolves, easing Munir’s burden and reigniting his desire to live. Much like the prophet Jonah, who was spit out by the sea and then returned to land, Munir finds himself a stranger in the world, struggling with alienation and aborted dreams. As his mother's memory fades, he also struggles to recall a story about a cursed shepherd his mother told him. A captivating visual fable, the film immerses us in Munir's consuming frustration. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.