SEEKING HAVEN FOR MR. RAMBO
SHOWTIME
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TASTE THE REVOLUTION
Director: Daniel Klein
For nearly 25 years one of Oscar winner's Mahershala Ali's earliest, craziest and most brilliant performances has been hiding in a vault. Director Daniel Klein shot a film in the year 2000 about a group of revolutionaries putting on a world summit to counter political apathy and encourage America to stand up to capitalism but then world events got in the way and the film vanished. Now, after a call from Ali, who plays a revolutionary leader, the director has gone back over the footage and reimagined the film as a mockumentary about a documentary film crew trying to capture an event that they hope will be a modern-day Woodstock, but turns out to be more Fyre Festival.
PANDA BEAR IN AFRICA
Director: Richard Claus
When Panda Ping’s best friend, Jielong the Dragon, is kidnapped by a baboon and smuggled to Africa, Ping sets off from their forest home in South China to rescue him - stowing away on a junk ship, he lands in East Africa and gets captured. Alongside the monkey Jojo, Ping escapes, and they cross deserts and mountains facing down the hippopotamus, an army of meerkats and a suspicious hyena before discovering Jielong at the court of King Ade, a spoilt teenage lion. But Ade is not safe either: his uncle, evil Malume, is plotting to dethrone him and destroy the neighbouring jungle home of Niala, Ping’s new hyena friend. Ping is just one small panda. Can he save everyone?
AGORA
Director: Ala Eddine Slim
A blue dog and a black crow narrate the strange story of three revenants – people who are not quite dead, but not alive either – who resurge in a remote town, reviving the unsolved mysteries around their respective disappearances. Fathi, the local police inspector, is on the case, assisted by his friend Amine, the local doctor. What begins as a conventionally recognisable crime thriller, however, becomes more of a mood piece once Omar, a police investigator from the city, arrives to shine a light on what has happened and is overwhelmed by the irrationality of the chain of events. At once absurd and disturbing, Agora gradually reveals itself as both poetic fable and a political commentary on the state of Tunisia.