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EAST OF NOON
Director: Hala Elkoussy
Stuck in a sandy enclave in the middle of nowhere, aspiring musician Abdo divides his time between digging graves and creating music using household implements. Along with his Nunna, he is plotting his escape to a wider world while scheming to survive the everyday tyranny of the enclave boss, Master Shawky. A story that is very much about the power of story-telling, with some of the flavour of the Arabian Nights, the evocatively titled East of Noon is shot largely in black and white. This surface beauty gives its familiar theme of youthful revolt a surreal, fantastical quality, allowing ideas that would otherwise be taboo to float free.

MY WAY
Director: Thierry Teston
Many people are unaware that the iconic song My Way, most famously recorded by Frank Sinatra but covered by everyone from Pavarotti to Sid Vicious and Robbie Williams, was based on the melody of a French tune. In 1967, composer Jacques Revaux and singer Claude Francois wrote Comme D'habitute while sitting by Francois’ swimming pool. Not long after that, it made its way to the United States, where Paul Anka wrote the words that Frank Sinatra would make famous; since then, it has crossed eras, borders and generations. In commemoration of 50 years of My Way, the directors assemble archival footage, interview musicians and unearth new anecdotes to piece together the tune's history, with the song personified by Jane Fonda's narration.

HOBAL
Director: Abdulaziz Alshlahei
Liam of 80 years embraces the belief in the proximity of the "Hour of Resurrection" after the emergence of signs confirming his claim, the latest of which was the outbreak of the second Gulf War, which makes him insist on staying away from people and forcing his family with him to be cut off from all means of civilization so as not to be inflicted by torment, so the family obeys his instructions except "Assaf" who loves his cousin "Reefah" who is infected with "measles" after it spread within the family and fears that death will take her from him after his cousin died with the same disease, and tries to escape with her for treatment in the city that he has not seen since he was created, and repeats attempts until the opportunity comes to save her, which is not in his favor after he was encouraged by Grandfather Liam disappears in one of the ground cavities "Dahl" in the desert, and to remain confused whether he is alive or dead, which causes a conflict between his children so to who remain committed to his instructions, which stipulate the approaching hour and those who decide to disregard them.

CROCODILE TEARS
Director: Tumpal Tampubolon
On a Crocodile Farm in West Java, Indonesia, a young boy reaches puberty, and his problems with his mother start. Johan, a young man tethered to his mother, Mama, by invisible but unbreakable chains, dreams of freedom yet remains under her suffocating grip. Isolated from the world, their life on the farm is a tense routine of survival and emotional manipulation, disrupted only when a young woman’s arrival threatens the delicate balance. As Johan begins to see through Mama’s relentless hold, he confronts the painful reality of their bond: is it love, or is it tyranny? Director Tumpal Tampubolon dives deep into the tangled web of family loyalty and control in this haunting drama raising timeless questions about family, power, and the cost of independence.