PUSS IN BOOTS: THE LAST WISH
Other movies
THE SANDCASTLE
Director: Matty Brown
A family of four finds themselves stuck on a picturesque island hiding a shocking reality. What starts as child’s play and simple ways to pass the time begins to uncover dark secrets that they struggle to keep from the youngest, Jana. As events spiral out of control and the line between reality and fiction blurs, how will Jana and her family cope with the consequences and the tough choices they must face?
SIMA’S SONG
Director: Roya Sadat
Afghanistan in 1972 is a cauldron of opposing political forces. Suraya, part of an influential political family, becomes head of the dominant Communist Party’s women’s organisation, believing it is the best hope for equal rights. Her friend Sima is sceptical of all politics and, as a talented musician, is dedicated to her traditional art and its romantic themes. Despite their differences, these two young women remain best friends through university, even when Sima marries and starts attending Muslim Youth meetings. When the army starts arresting Muslim activists, Suraya helps her friends escape to the mountains and the protection of the mujahadeen, but war follows them. The film is a marvellous testament to the courage and loyalty of Afghani women in the face of constant adversity.
MY WAY
Director: Thierry Teston
Many people are unaware that the iconic song My Way, most famously recorded by Frank Sinatra but covered by everyone from Pavarotti to Sid Vicious and Robbie Williams, was based on the melody of a French tune. In 1967, composer Jacques Revaux and singer Claude Francois wrote Comme D'habitute while sitting by Francois’ swimming pool. Not long after that, it made its way to the United States, where Paul Anka wrote the words that Frank Sinatra would make famous; since then, it has crossed eras, borders and generations. In commemoration of 50 years of My Way, the directors assemble archival footage, interview musicians and unearth new anecdotes to piece together the tune's history, with the song personified by Jane Fonda's narration.
LUMIÈRE, LE CINÉMA
Director: Thierry Frémaux
A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.