Skip to content
PG12

KROKA

Genre
Dark Comedy
Running time
15 minutes
Year
2022
Language
Arabic
Subtitle
English
Country
Jordan
Director
Samer Battikhi
Bio
Producer
Samer Battikhi, Enad Bin Tareef
Cast
Rakeen Saad, Ahmad Srour, Khalid Al Tarifi, Enad Bin Tareef
Scriptwriter
Enad Bin Tareef, Samer Battikhi
All the theaters in town are controlled by the Brown Suits Committee, an old-fashioned greedy middle-aged group led by Mr Ameen. Yomna, a young passionate theater enthusiast, tries to prevent Mr Ameen from taking control of the theater where she works after Khalil, the theater owner, becomes a Brown Suits member. A series of confrontations occur over the importance of the play. Will Yomna succeed at completing the show?

Other movies

ZERO

Director: Jean Luc Herbulot

In the bustling heart of Dakar, Senegal, two white Americans wake to a nightmare: bombs strapped to their chests, and they only have ten hours before they explode. With no idea who’s behind it, their only hope for survival is to listen to the instructions of a mysterious voice on the phone, forcing them to complete a series of bizarre and perilous tasks across the city. As they race against time in this twisted scavenger hunt, the vibrant streets of Dakar become a high-stakes labyrinth of survival. Darkly thrilling and filled with unexpected political commentary on colonialism and African society, this tense and exciting pulse-pounding thriller keeps you guessing until the very last second—because in this world, every move counts.

BETTER MAN

Director: Michael Gracey

Singer Robbie Williams, the one-time cheeky star of the boy band Take That, often said that he felt like a performing monkey for his whole creative life. Director Michael Gracey, best known for The Greatest Showman, duly represents Williams as a monkey in this sensational biopic. It is an outrageous idea, but it works. Williams himself voices the monkey, but his involvement does not mean his tabloid-fodder life of fame, disgrace, humiliation and ultimate resurgence gets watered down. We see it all: the bad behavior, his terrible boyfriend instincts, being a neglectful son and an unbearable workmate. But by highlighting his trademark humor, compelling honesty and irresistible showmanship, Robbie trumps again. There is also a slew of great pop songs to sing-a-long to.

YALLA PARKOUR

Director: Areeb Zuaiter

One of Zuaiter’s strongest memories of her mother is her radiant smile as a young woman on the beach in Gaza on one of the family’s regular holidays to Palestine. Her cousins would mock Areeb’s “outsider” accent, but according to her mother, this was where she belonged. From her current home in the US, Zuaiter combs the web for images that evoke something of her mother and finds teenager Ahmed Matar and his friends, a parkour team who use the ruins of Gaza’s bombed buildings as obstacle courses, laughing for joy against a background of explosions. She tracks Ahmed down online and the two become friends; meanwhile, he is determined that parkour will be his route out of the prison their shared homeland has become.

SABA

Director: Maksud Hossain

Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.