KROKA
Other movies
ZERO
Director: Jean Luc Herbulot
In the bustling heart of Dakar, Senegal, two white Americans wake to a nightmare: bombs strapped to their chests, and they only have ten hours before they explode. With no idea who’s behind it, their only hope for survival is to listen to the instructions of a mysterious voice on the phone, forcing them to complete a series of bizarre and perilous tasks across the city. As they race against time in this twisted scavenger hunt, the vibrant streets of Dakar become a high-stakes labyrinth of survival. Darkly thrilling and filled with unexpected political commentary on colonialism and African society, this tense and exciting pulse-pounding thriller keeps you guessing until the very last second—because in this world, every move counts.
BETTER MAN
Director: Michael Gracey
Singer Robbie Williams, the one-time cheeky star of the boy band Take That, often said that he felt like a performing monkey for his whole creative life. Director Michael Gracey, best known for The Greatest Showman, duly represents Williams as a monkey in this sensational biopic. It is an outrageous idea, but it works. Williams himself voices the monkey, but his involvement does not mean his tabloid-fodder life of fame, disgrace, humiliation and ultimate resurgence gets watered down. We see it all: the bad behavior, his terrible boyfriend instincts, being a neglectful son and an unbearable workmate. But by highlighting his trademark humor, compelling honesty and irresistible showmanship, Robbie trumps again. There is also a slew of great pop songs to sing-a-long to.
YALLA PARKOUR
Director: Areeb Zuaiter
One of Zuaiter’s strongest memories of her mother is her radiant smile as a young woman on the beach in Gaza on one of the family’s regular holidays to Palestine. Her cousins would mock Areeb’s “outsider” accent, but according to her mother, this was where she belonged. From her current home in the US, Zuaiter combs the web for images that evoke something of her mother and finds teenager Ahmed Matar and his friends, a parkour team who use the ruins of Gaza’s bombed buildings as obstacle courses, laughing for joy against a background of explosions. She tracks Ahmed down online and the two become friends; meanwhile, he is determined that parkour will be his route out of the prison their shared homeland has become.
SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.