KRAVEN THE HUNTER

Other movies
THE WIZARD OF THE KREMLIN
Director: Olivier Assayas
Olivier Assayas plunges the viewer into the final years of the Soviet Union and the start of the Russian Federation with confidence and precision in this political thriller which premiered at this year's Venice Film Festival. Paul Dano leads a tightly-calibrated cast as the fictional Vadim Baranov, a theater director-turned-TV executive, spin doctor and Kremlin kingmaker to Vladimir Putin (played by Jude Law, continuing his recent career resurgence) as the Russian premier makes his unstoppable rise to power. Calibrated performances guide the viewer through a period of time which sets the scene for where Russia is today. Alicia Vikander, Tom Sturridge and Jeffrey Wright co-star in this ink-black comedy based on the 2022 novel of the same name. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
SIRÂT
Director: Oliver Laxe
‘Sirat’ is a term referring to the treacherous bridge between heaven and hell. Oliver Laxe’s film is certainly an odyssey and a sonic spectacular: his hypnotic rhythms carve a path for this temporal road movie in which Sergi López plays a father who has taken his son to search for their daughter/sister, missing in Morocco’s nomadic and quasi-feral rave scene. With an apocalypse taking place offscreen, the protagonist flees across a mythical landscape with a crew of non-professional actors. Sirât glimmers between sound and fury, pounds between loss and unfathomable grief, and leads audiences to what feels like the end of creation. Spain’s Oscar entry and 2025 Cannes jury prize winner is that rare cinematic achievement: an indelible gift of sound and vision. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
WEDDING REHEARSAL
Director: Amira Diab
Tamara, with a child from a marriage that did not last long, is from an impoverished aristocratic family. To save her family from bankruptcy, Tamara is to marry Hassan Al-Dabbah, owner of one of the largest meat empires in the Middle East. Despite his wealth, Hassan comes from a nouveau riche family. Shortly before the wedding, the families spend a week together to oversee the wedding preparations. The differences between the families becomes apparent, and behind the fake smiles, all parties supervise the final wedding details. These details are overseen by Omar, Tamara’s old love, who has created a rock sculpture to give a unique character to the wedding. This sculpture will become the source of several disputes during the wedding.
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?