In-Conversation with Viola Davis
Viola Davis is an acclaimed American actress and film producer celebrated for her powerful performances across screen and stage. She is one of the few artists to achieve both the Triple Crown of Acting—winning an Academy Award, Emmy, and Tony—and the prestigious EGOT. Time magazine named her one of the 100 most influential people in the world in 2012 and 2017. In 2020, The New York Times ranked her ninth among the greatest actors of the 21st century.
In 2017, Davis received a star on the Hollywood Walk of Fame, presented by her Doubt co-star Meryl Streep. During her acceptance speech, Davis reflected, “God has blessed my life in abundance.” Streep wrote about Davis for Time, praising her artistic gifts as “deep and rich and true” and highlighting her cultural significance, saying Davis has “carved a place for herself on the Mount Rushmore of the 21st century.” That same year, Davis was named Harvard University’s Artist of the Year.
In 2022, Davis starred in The Woman King, a historical epic about the Kingdom of Dahomey, where she portrayed Nanisca, a general of an all-female military unit. Her performance was widely acclaimed. That same year, she was cast as Dr. Volumnia Gaul in The Hunger Games: The Ballad of Songbirds and Snakes, a prequel to the popular film series. Earlier, Davis portrayed former First Lady Michelle Obama in the Showtime series The First Lady.
Davis is also a passionate advocate against childhood hunger in the United States. Since 2014, she has worked with the Hunger Is campaign, drawing on her own experiences growing up in poverty. She has shared, “Seventeen million kids in this country, one in five, go to bed hungry. I was one of those kids.” Davis rummaged through trash and stole food as a child, an experience that fuels her activism today. Speaking at the 2014 Variety Power of Women luncheon, she emphasized the campaign’s mission to “eradicate” hunger, stating that all children deserve a chance to achieve their dreams.
To support this cause, Davis launched the $30K in 30 Days Project, awarding grants to organizations like the Rhode Island Community Food Bank in her home state. Her dedication to philanthropy complements her extraordinary contributions to film and culture, solidifying her legacy as both an artist and advocate.
SHOWTIME
Thu
12.
Dec
Culture Square - Cinema 1
12:30 PM - 1:30 PM
Price: 100 SAR
Other movies
HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?
HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.
SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.
