In-Conversation with Mohamed Sami, Egyptian filmmaker
Mohamed Samy left a unique mark in the television series he directed, some of which he wrote himself.
His staging gave impetus to the episodes, and the public responded well. Its television series, including the very latest Al Avocado, has enjoyed a resounding success.
In this conversation, we discuss the role of directing in the success of television series, the role of heroes and their real contribution, the relationship between a director and his actor, and when the director is himself the author.
SHOWTIME
Mon
09.
Dec
Culture Square - Cinema 1
4:00 PM - 5:00 PM
Price: 100 SAR
Other movies
K-POPS
Director: Anderson .Paak
Eight-time Grammy winner Anderson .Paak makes his film debut with the story of a washed-up drummer whose life turns around when he meets his teenage son for the first time. Paak himself plays the father BJ, who is still holding out in middle age for rock’n’roll stardom; his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean. When BJ gets an unexpected gig on a Korean talent show, he discovers Tae Young, a hotly-tipped contestant. Eager to make up for lost parenting time, BJ becomes the boy’s mentor – but the truth is that he needs help to grow up himself. Riffing off their real family relationships, .Paak’s comedy is an instant winner full of charm and K-Pop fandom.
LAIL NAHAR
Director: Abdulaziz Almuzaini
Nahar, a beloved and highly popular opera singer, finds himself at the center of a "cancel" storm after a viral video accuses him of racism. In a surprising move, he announces his upcoming marriage to a black woman live on air, putting him in a race against time to find the right woman. Eventually, he marries a wedding singer, and their relationship evolves from one of mutual interests into an unexpected emotional and musical journey filled with surprising twists.
HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.
