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In-Conversation with Andrew Dominik

Andrew Dominik’s latest film Blonde, about the troubled life of Marilyn Monroe, has been the talk of the film world ever since it launched at the Venice Film Festival. Now available on Netflix, the biopic confirms Dominik’s status as one of the leading auteurs working today. He is a visionary willing to experiment with form and aesthetics to add extra depth and dimension to the stories he tells. The result is inimitable works that look stunning and leave the audience questioning their own preconceptions when the credits roll. Blonde can be seen as another rung of the Australian director’s probing and readdressing of complex real-life protagonists such as criminal-turned-author Mark Read in Dominik’s rousing debut film Chopper (2000), starring Eric Bana and also, Jesse James, who is reconfigured in the epic revisionist Western The Assassination of Jesse James by the Coward Robert Ford (2007), starring Brad Pitt and Casey Affleck. Born in New Zealand but living in Australia since he was 2, the 55-year-old auteur also ventured into documentary filmmaking with the fascinating and poignant One More Time With Feeling. It documents the recording of Nick Cave and the Bad Seeds album Skeleton Tree, made during the aftermath of the death of Cave’s 15-year-old son. Dominik also has a penchant for crime thrillers. His striking 2012 neo-noir thriller Killing Them Softly, starring Brad Pitt, Scoot McNair and Ben Mendelsohn, played in competition at the Cannes Film Festival. He also directed two episodes in the second season of the highly acclaimed crime series Mindhunter. The director will be talking to audiences in Jeddah about his career thus far, working with some of the top names in the film industry across a range of mediums. Dominik is a fascinating character with strong opinions and insights, and this In-Conversation is sure to be one of the talking points of the Red Sea IFF.

 

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.