
In-Conversation with Aamir Khan
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MONSIEUR AZNAVOUR
Director: Mehdi Idir
Charles Aznavour, the son of Armenian immigrants who became a defining voice of France, died in 2018 aged 94. Two years later, his sons, Mischa and Nicolas, announced they had been working with their father on a biopic to be released this year: Aznavour’s centenary. This stunning musical drama is an intimate portrait of the artist’s life that's packed with biographical information. Growing up in poverty gave him an unswerving determination to reach the top; by the 1940s, he was playing cabarets with Pierre Roche, but his ambition was a solo career and a mass audience. Tahir Rahim plays Aznavour in a drama punctuated with disarmingly honest anecdotes from family members, giving us both the man and, of course, his music.

YALLA PARKOUR
Director: Areeb Zuaiter
One of Zuaiter’s strongest memories of her mother is her radiant smile as a young woman on the beach in Gaza on one of the family’s regular holidays to Palestine. Her cousins would mock Areeb’s “outsider” accent, but according to her mother, this was where she belonged. From her current home in the US, Zuaiter combs the web for images that evoke something of her mother and finds teenager Ahmed Matar and his friends, a parkour team who use the ruins of Gaza’s bombed buildings as obstacle courses, laughing for joy against a background of explosions. She tracks Ahmed down online and the two become friends; meanwhile, he is determined that parkour will be his route out of the prison their shared homeland has become.

MY FRIEND AN DELIE
Director: Zijian Dong
This remarkable adaptation of Shuang Xuetao’s novel is the debut film from actor-turned-director Dong Zijian that flashes back and forth in time to tell a touching story of friendship and family strife. Following his father’s death, Limo (Liu Haoran) is flying back to his hometown in northeastern China, when he spots his childhood friend An Delie (played by director Zijian) (Dong) on the plane, who fails to recognise him. When their flight is diverted because of heavy snow, the duo go on a journey that brings back long-forgotten memories in which Limo has to deal with the demons from his past. Beautifully photographed by Pema Tsedan across two time periods, the film shows the long-term emotional impact of the traumas of our childhood.

WE LIVE IN TIME
Director: John Crowley
Florence Pugh and Andrew Garfield bring humour and exceptional personal chemistry to this compelling tale of love, marriage, and heartache. The movie's unique feature is that the narrative skips back and forth in time across a decade so that we absorb all of their lives – highs, lows, romance and parenthood – as a jigsaw puzzle that helps us understand their decisions in the different phases of their relationship. It's a real tearjerker that shows how ambitious chef Almut meets Tobias, a data cruncher whose marriage has just ended, and then they fall in love and have to cope with all the hurdles put in front of them. When Almut decides to enter a high-stakes cooking championship the tension between them boils over.