GUILLERMO DEL TORO'S PINOCCHIO
Other movies
FREEDOM WAY
Director: Afolabi Olalekan
When two young software engineers set up EasyGo, a ride-sharing scheme for commercial motorcyclists in hectic Lagos, it is a godsend to riders like Abiola, who is soon depending on its customers to support his family. The success of the app, however, attracts the attention of corrupt police and government ministers who contrive to get it banned. Other stories – one about a doctor wrestling with his conscience, one about two police officers at loggerheads over the common practice of shaking down young people in the street – show that this kind of low-level violence is everywhere.. Like Lagos itself, the melodramatic storylines are fast and intense; as the characters’ stories start to dovetail, as if the city itself were pushing them together.
SMILE THE PHOTO COMES OUT BETTER
Director: Sherif Arafa
Photographer Sayed Gharib worries when his daughter Tahani moves to Cairo to study medicine, concerns that prove justified when she struggles to fit in with her privileged fellow students. His solution is to follow her to the city, moving close to the school where she studies. While she is falling in love with the son of a famous businessman, Sayed continues to take pictures. He has strong ideas about photographs of people, which reflect his own sense of dignity in poverty but is also his strongest professional principle. They must look happy; no matter how much sadness anyone carries with them, photographs must express joy. Mona Zaki plays in this film with other important Arab actors, including Ahmed Zaki and Leila Eloui.
BIN U BIN, ELSEWHERE THE BORDER
Director: Mohamed Lakhdar Tati
In the rocky desert Algerian border country, Fethi and his fellow villagers eke out a living smuggling goods – mostly petrol – into Tunisia, working at night and paying off the local crime lords. Saad, a film-maker trying to raise money to finish his movie, has worked for a year with Fethi. He lives in his family’s shed, included as part of a loving household as well as their risky business. At the same time he is obviously an outsider: smartly dressed and prepared to talk back to anyone, including the imam. Tough, gritty but also moodily atmospheric, its tension sustained by a tumultuous soundscape, theis remarkable film delves deeply into the complexities of family, friendship and daily survival.
AGORA
Director: Ala Eddine Slim
A blue dog and a black crow narrate the strange story of three revenants – people who are not quite dead, but not alive either – who resurge in a remote town, reviving the unsolved mysteries around their respective disappearances. Fathi, the local police inspector, is on the case, assisted by his friend Amine, the local doctor. What begins as a conventionally recognisable crime thriller, however, becomes more of a mood piece once Omar, a police investigator from the city, arrives to shine a light on what has happened and is overwhelmed by the irrationality of the chain of events. At once absurd and disturbing, Agora gradually reveals itself as both poetic fable and a political commentary on the state of Tunisia.