Skip to content
PG15

FIZR

Genre
Dark Comedy
Running time
13 minutes
Year
2024
Language
Arabic
Subtitle
English
Country
Lebanon
Director
Rani Nasr
Bio
Producer
Rouba Noureddine
Cast
Saad Al Kadiri, Chaker Abu Abdalla
Scriptwriter
Rani Nasr
Issam is on the run. When the town mayor shot his cat, he fought back in a violent episode that has brought the anger of the villagers on his head, forcing him to flee to the next valley. His friend Raafat eventually finds him there, hiding out in an abandoned cabin. They leave, Issam raging against the injustice done to him by the tyrannical mayor while the older Raafat remonstrates with him, urging him to keep quiet. He knows, however, that Issam will never stay silent in the face of tyranny. It is up to Raafat to choose between his friend and his own political survival.

Other movies

PALESTINE 36

Director: Annemarie Jacir

In 1936, as rebellion sweeps across Mandate Palestine, Yusuf, caught between his rural home and the charged atmosphere of Jerusalem, longs for peace. But with Jewish immigrants fleeing European fascism, the region is heading fast toward a major collision. Palestine 36, a historical drama set during this period, explores the Palestinian Arab Revolt against the British colonial rule, focusing on the stories of individuals caught in the conflict as well as the human cost of the uprising. It follows the lives of Palestinian farmers, city dwellers and British officers as they confront the conflict. The film examines the choices and unexpected situations faced by its characters.

SAIPAN

Director: Lisa Barros D'sa

The tensions surrounding Ireland's 2002 FIFA World Cup bid are universal to any country that has dared to hope for footballing glory. Add Roy Keane's unique personality to the mix and you have an exciting, funny, tense drama, superbly performed by the double act of Steve Coogan as Ireland’s shambling manager Mick McCarthy and newcomer Éanna Hardwicke as the Manchester United force of nature that is Keane. This is no underdog story — it would take a braver person than McCarthy to call the eternally prickly Keane that — but directors Lisa Barros D'Sa and Glenn Leyburn have fashioned a crowd-pleasing double-act nonetheless. Tip: watch out for a cameo from the Saudi Arabia team.

HIJRA

Director: Shahad Ameen

A grandmother and her two granddaughters journey from Taif to Mecca. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women. Set against the backdrop of the Hajj pilgrimage, Hijra portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Their journey carries the weight of an entire heritage and offers an emotional, powerful and insightful look at identity. Shot across eight Saudi cities, the film provides a deep dive into the nation’s rich cultural tapestry. Actress Khairia Nazmi infuses the story with profound emotion due to her strength and energy.

SIRÂT

Director: Oliver Laxe

‘Sirat’ is a term referring to the treacherous bridge between heaven and hell. Oliver Laxe’s film is certainly an odyssey and a sonic spectacular: his hypnotic rhythms carve a path for this temporal road movie in which Sergi López plays a father who has taken his son to search for their daughter/sister, missing in Morocco’s nomadic and quasi-feral rave scene. With an apocalypse taking place offscreen, the protagonist flees across a mythical landscape with a crew of non-professional actors. Sirât glimmers between sound and fury, pounds between loss and unfathomable grief, and leads audiences to what feels like the end of creation. Spain’s Oscar entry and 2025 Cannes jury prize winner is that rare cinematic achievement: an indelible gift of sound and vision. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.