DREAMING OF LIONS

Other movies
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.
MY FATHER'S SCENT
Director: Mohamed Siam
A tense, poetic odyssey unfolds over one night as a father and son confront each other, aiming to settle old scores. Confined to a single apartment, their raw, emotional confrontation quickly escalates, peeling back layers of a fraught relationship. This gripping family drama forces a poignant reflection: if granted one final night with a lost loved one, would you seek vengeance or reconciliation? With powerful performances, the film is a sensitive, intimate and profound exploration of the complex, enduring bond between father and son.
SIRÂT
Director: Oliver Laxe
‘Sirat’ is a term referring to the treacherous bridge between heaven and hell. Oliver Laxe’s film is certainly an odyssey and a sonic spectacular: his hypnotic rhythms carve a path for this temporal road movie in which Sergi López plays a father who has taken his son to search for their daughter/sister, missing in Morocco’s nomadic and quasi-feral rave scene. With an apocalypse taking place offscreen, the protagonist flees across a mythical landscape with a crew of non-professional actors. Sirât glimmers between sound and fury, pounds between loss and unfathomable grief, and leads audiences to what feels like the end of creation. Spain’s Oscar entry and 2025 Cannes jury prize winner is that rare cinematic achievement: an indelible gift of sound and vision. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
THE FAKENAPPING
Director: Amine Lakhnech
Sattam is a young man plagued by bad luck, with every venture he’s tried ending in failure. Now on the verge of losing his home to the ruthless Abu Ateeq, he hatches a daring plan to get money out of his wealthy — yet notoriously stingy — father.