DIAA SHAMSI

Other movies
MY FATHER'S SCENT
Director: Mohamed Siam
A tense, poetic odyssey unfolds over one night as a father and son confront each other, aiming to settle old scores. Confined to a single apartment, their raw, emotional confrontation quickly escalates, peeling back layers of a fraught relationship. This gripping family drama forces a poignant reflection: if granted one final night with a lost loved one, would you seek vengeance or reconciliation? With powerful performances, the film is a sensitive, intimate and profound exploration of the complex, enduring bond between father and son.
ALL THAT'S LEFT OF YOU
Director: Cherien Dabis
This compelling family drama traces three generations of Palestinians from 1948-2022, revealing the profound impacts of the Nakba. The story begins in 1988 with Noor, a man who joins a protest that turns violent in the West Bank. Decades later his mother, Hanan, recounts her son’s story, starting with the 1948 expulsion of his grandfather from Jaffa. Amid the hardship, the family holds on to the hope of returning to their ancestral home. A love story between Hanan and her husband Salim serves as a beacon of light. Through intimate, moving performances, this film explores how trauma and heritage shape the bonds between a grandfather, a father and son, while filled with moments of joy, love and humor.
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?