DALMA
Other movies
FAMILIAR TOUCH
Director: Sarah Friedland
Anchored by a precise and sensitive performance by 79-year-old theatre actress Kathleen Chalfant, Sarah Friedland’s debut film – made in collaboration with the residents and care workers at a Los Angeles retirement home – shows the experience of dementia from this elderly woman’s own point of view. Her son, whom she mistakes for a date, takes her to the care home that she thinks is a hotel bar. Once a professional chef, she takes over the kitchen for a morning, then escapes to go to a produce stall, bits of reality she can still grasp. Her triumph is to find the life worth living where she is, as she is. A celebration of the human mind, in all its complexity.
THE TALE OF DAYE'S FAMILY
Director: Karim Elshenawy
Daye, an 14-year-old Nubian albino with a golden voice, faces adversity due to his unique appearance. Abandoned by his father and bullied by peers, he dreams of following his idol, Mohamed Mounir. When he gets a chance to audition for The Voice, Daye and his family embark on a perilous journey from Aswan to Cairo. Their journey is fraught with challenges: a stolen car, lost money, and a harrowing escape from the police. They face discrimination and struggle to survive, but their unwavering determination and Daye's powerful voice keep them going. With the help of a kind fireman and a chance encounter with Mounir himself, Daye overcomes obstacles and captures the hearts of a nation. Daye is a heartwarming tale of resilience, hope, and the transformative power of music. It’s a poignant exploration of tolerance, ambition, and the unbreakable bond of family.
LUMIÈRE, LE CINÉMA
Director: Thierry Frémaux
A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.